Naan
Kadavul
is
not
a
film
about
the
normal
people
who
enjoy
a
secured
life.
The
movie
is
a
different
take
on
the
lives
of
those
people
who
always
live
on
the
edge
of
the
world.
One
can
realise
this
by
seeing
a
few
frames
of
this
master
piece
by
Bala.
The
director
who
has
made
you
admire
the
ruffian
in
Sethu
and
the
buriyal
ground
caretaker
in
Pithamagan
introduces
you
to
the
world
of
an
enigmatic
Arya,
a
helpless
Pooja
and
a
whole
set
of
wonderful
characters
(beggars)
which
make
the
film
stand
out.
The
introduction
is
just
perfect
considering
the
title
and
imagers
forth
the
life
of
an
agory
called
Rudran
(Arya).
Rudran's
father,
who
had
abandoned
him
at
Kasi
many
years
ago,
is
back
to
convince
him
to
lead
a
normal
life.
Just
when
you
think
that
it
would
be
a
sole
character
analysis
of
Rudran,
the
film
deftly
takes
you
into
the
lives
of
beggars
who
are
held
hostage.
At
this
point,
the
story
takes
a
turn
as
the
downtrodden
people's
prayers
are
heard
and
Rudran
turns
out
to
be
their
saviour,
leading
to
a
stunning
climax
with
the
film
ending
on
a
positive
note..
And,
that's
where
the
film
scores
to
a
considerable
extent.
As
if
harping
on
a
theme
rarely
explored
was
not
enough,
the
introduction
of
these
beggars
leaves
a
lump
in
your
throat
that
stays
on
till
the
end.
Bala
has
always
stood
against
the
establishment.
In
fact
everyone
wants
to
cast
away
the
code
of
establishment
in
a
way.
Bala
shows
this
through
the
scenes
involving
the
police
station
and
court.
For
lead
actors
Arya
and
Pooja,
it's
a
role
that
they
won't
forget
in
their
life
time.
While
Arya
convinces
you
that
he
can
indeed
play
a
mature
role,
Pooja
amazes
you
with
the
variety
of
expressions
in
her
powerful
performance.
Particularly,
in
the
climax
she
moves
everyone's
soul.
The
climax
fight
between
Arya
and
villain
is
one
of
the
most
fantastic
scenes
you
have
seen
in
the
films
for
a
long
time.
Bala
has
used
Super
Subbarayan's
talents
in
the
right
way
and
in
the
right
place.
The
bunch
of
beggars
handpicked
by
Bala
are
amazing
be
it
the
eunuch,
the
midget
boy,
the
guy
as
Murugan
(Krishnamoorthy)
and
Thandavan
(Rajendran).
The
person
who
plays
the
role
of
Arya's
father
(noted
producer
Azhagan
Tamilmani)
is
simply
natural
and
outstanding.
The
dialogues
by
the
noted
Tamil
writer
Jayamohan
(the
story
is
also
based
on
his
critically
acclaimed
novel
Ezham
Ulagam)
is
a
major
plus
point
for
the
movie.
Meastro
Ilayaraja's
tunes,
which
blend
beautifully
with
the
scenes,
are
a
major
highlight
of
the
film.
It
has
given
a
special
power
to
Bala's
thoughts
and
has
helped
him
deliver
his
thoughts
forcefully.
Arthur
Wilson's
camera
is
another
key
aspect
of
the
film.
There
are
a
few
logical
mistakes
in
the
film
as
well,
but
in
comparison
with
Bala's
sincere
attempt
to
give
a
novel
cinema
with
mass
appeal,
we
should
forget
all
those
minuses
and
join
hands
with
him
in
his
endeavour
to
give
quality
cinema
in
future
too.
Naan
Kadavul
:
A
new
Milestone
in
the
history
of
Tamil
Cinema!
Credits
Music:
Maestro
Illayaraaja
Lyrics:
Ilayaraja
and
Vaali
Story,
Screenplay
and
Direction:
Bala
Camera:
Arthur
A
Wilson
Stunt:
Super
Subbarayan
Art:
Krishnamoorthy
PRO:
Nikhil
Murugan
Cast:
Arya,
Pooja,
Krishnamoorthy,
singampuli,
Azhagan
Tamilmani,
Kovai
Krishnamoorthy
and
175
new
faces!