Prabhu
Solomon
has
already
stamped
his
authority
in
Kollywood
as
a
director
who
has
the
capability
of
narrating
a
simple
love
story
in
the
most
fascinating
way
possible.
Does
Kayal,
which
is
the
third
straight
love
story
fabricated
by
the
Kumki
director
has
enough
to
come
out
as
a
winner
this
holiday
season?
Continue
reading
the
review
to
unlock
the
answer.
Plot:
Two
friends
Aaron(Chandran)
and
Socrates(Vincent)
work
hard
for
6
months
and
spend
their
money
exploring
every
nook
and
corner
of
India.
While
travelling
to
Kanyakumari,
they
are
mistakenly
held
captive
in
a
mansion
for
helping
a
couple
elope.
Aaron
instantly
falls
for
Kayal(Ananthi),
a
maidservant
working
in
the
mansion
and
proposes
her.
After
learning
that
the
two
friends
are
innocent,
the
family
releases
them.
Meanwhile,
Kayal
realizes
she
too
has
fallen
in
love
with
Aaron
and
so
begins
her
journey
to
find
Aaron.
Will
Kayal
find
him
in
spite
of
many
obstructions?
Will
they
reunite
despite
a
major
disaster?
Answers
to
these
questions
forms
the
rest
of
the
story.
The
film's
primary
strength
is
the
performances
dished
out
by
all
its
actors.
Ananthi's
expressions
are
natural
while
Chandran
and
Vincent
carry
the
first
half
of
the
movie
on
their
shoulders
through
impeccable
dialogue
deliveries
and
their
performances.
Supporting
actors
too
have
done
justice
to
their
characters
and
Prabhu
Solomon
once
again
shows
how
effective
casting
can
help
the
overall
look
of
the
film.
Technicalities:
Kayal
is
a
technically
brilliant
movie.
Technical
aspects
and
performances
are
two
pillars
of
this
movie
which
will
be
responsible
in
keeping
the
cash
registers
ringing
long
enough
to
satisfy
its
producers.
D
Imman's
music
has
once
again
created
magic
like
it
did
for
Mynaa
and
Kumki.
Kayal
might
have
lost
its
way
if
not
for
Imman's
music.
Cinematographer
Vetrivel
Mahendran
has
done
a
fantastic
job
in
displaying
nature
at
its
best.
Samuel
has
done
a
decent
job
as
an
editor
and
keeps
the
movie
short
enough(2
hours
and
19
minutes)
to
make
it
interesting
despite
a
few
slow-moving
scenes.
Special
mention
goes
to
the
VFX
team
to
bring
alive
the
2004
Tsunami
on
screen
almost
flawlessly.
Overall
View:
Kayal
scores
big
through
its
performances,
technicalities
and
an
intriguing
narration
by
its
director.
However,
there
are
a
few
undeniable
flaws
that
prevents
this
movie
from
being
labelled
as
an
outstanding
flick.