Aishwarya
Dhanush
is
back
with
a
commercial
entertainer
after
her
first
film
tanked
at
the
box
office.
Does
Vai
Raja
Vai
has
enough
in
it
to
hand
the
lady
director
what
she
is
looking
for?
Find
out
by
reading
our
review.
Vai
Raja
Vai
Plot:
Gautham
Karthik
is
born
with
an
extrasensory
perception,
commonly
known
as
sixth
sense,
that
allows
him
to
predict
the
future
well
in
advance.
His
normal
day
to
day
life
is
interrupted
by
his
friend,
played
by
Vivek,
who
convinces
him
to
place
a
huge
bet
on
a
cricket
match.
The
outcome
is
loved
by
them
as
they
win
a
hefty
amount,
thanks
to
our
hero's
special
'powers'.
The
movie
takes
a
U-turn
post
interval
as
the
story
takes
us
to
Goa.
The
main
protagonist,
played
by
Daniel
Balaji,
forces
Karthik
to
take
part
in
gambling
in
one
of
the
biggest
casinos
as
he
suffers
heavy
losses,
betting
against
Karthik
in
the
cricket
match.
Will
the
antagonist
come
out
victorious?
What
are
the
traps
set
on
his
way
towards
triumph?
These
questions
are
answered
in
the
remaining
bit
of
the
movie.
Performances:
On
the
positive
front,
Vai
Raja
Vai
is
made
extremely
enjoyable
in
the
first
half,
thanks
to
its
comedians
Vivek
with
his
brilliant
one
liners
and
Satish,
who
has
been
used
brilliantly.
Priya
Anand
adds
color
and
enthusiasm,
though
she
is
extensively
used
only
in
songs.
Gautham
Karthik's
character
has
been
portrayed
well
by
him
however,
he
needs
to
pay
special
attention
to
his
lip
sync
and
voice
modulation,
one
might
feel.
On
the
flip
side,
actors
like
Taapsee,
MS
Bhaskar
and
SJ
Suryah
are
totally
wasted
which
comes
across
as
a
surprise.
Daniel
Balaji
needs
to
get
over
his
Vettaiyaadu
Vilaiyaadu
and
Polladhavan
days.
Technicalities:
When
it
comes
to
the
screenplay,
Vai
Raja
Vai
scores
big
in
its
first
half
as
it
is
pacy
and
enjoyable
with
a
brilliant
interval
block.
When
everything
is
set
for
a
thrilling
second
half,
the
movie
turns
into
a
disaster
with
predictable
sequences,
unwanted
songs
and
below
par
casino
scenes.
Touted
to
be
Yuvan
Shankar
Raja's
comeback
album,
songs
in
the
movie
are
awfully
placed
and
doesn't
really
feel
connected
to
the
story.
Background
Music
however,
elevates
the
scene
and
is
an
undeniable
strength.
Velraj
has
played
safe,
providing
what
is
required
through
his
cinematography
without
experimenting
too
much
with
the
angles.
Madhan
Karky's
dialogues
stands
out
throughout.
Though
the
film
is
not
more
than
2
hours,
it
feels
stretched,
especially
in
the
second
half,
due
to
some
unwanted
scenes
and
songs.
Though
the
editing
by
VT
Vijayan
is
good,
giving
a
thriller
feel
to
the
movie,
it
feels
Vai
Raja
Vai
could've
been
shortened
further,
which
would've
done
justice
to
its
genre.
Overall
View:
With
a
brilliant
first
half,
Vai
Raja
Vai
could've
easily
been
a
racy
romantic
thriller,
had
Aishwarya
not
followed
the
usual
way
of
'Indianizing'
a
cinema
which
eventually
turns
it
into
a
half
baked
thriller.