Star
Cast:
Vishnu
Vishal,
Amala
Paul,
Radha
Ravi,
Ramdoss,
Kaali
Venkat
Director:
Ram
D
Not
often
do
we
get
to
witness
a
psychological
thriller
movie
down
south.
Movies
like
Vettaiyadu
Vilayaadu
still
makes
us
hook
up
to
the
laptop
and
watch
it
from
the
start
till
the
end.
Ratsasan
could
have
well
been
in
that
list
if
not
for
certain
minor
glitches
being
taken
care
of
by
the
director.
Arun
Kumar
(Vishnu
Vishal),
an
aspiring
cinema
director,
runs
various
producer's
office
with
his
full-bound
thriller
script
who
only
happens
to
face
rejection
from
them
for
the
dark
and
not
so
entertaining
storyline.
On
the
other
hand,
Arun's
mother
forces
her
son
into
the
police
department
to
become
a
cop
much
similar
to
his
late
father.
It
shouldn't
get
difficult
for
the
aspiring
director
to
get
into
his
father's
job,
as
his
uncle
(Ramadoss)
too
aides
him
through
the
on-boarding
process.
Cut
the
scene
and
we
see
gruesome
murders
by
a
serial
killer
who
hovers
over
the
blood
of
citizens.
It
is
the
experience
and
research
of
Arun
which
was
earned
during
the
course
of
his
scripting
for
the
movie,
which
comes
in
handy
to
solve
the
case.
Who
is
the
serial
killer?
What
is
the
motto
behind
the
killing?
How
would
Arun
Kumar
crack
the
case?
All
these
are
unfolded
on
the
screen
in
subsequent
proceedings.
Vishnu
Vishal
has
transformed
himself
into
a
very
responsible
and
matured
actor.
He
has
toned
his
body
well
and
so
has
done
the
same
with
his
acting
skills,
and
it
looks
like
there's
great
improvement
in
the
same.
Amala
Paul
as
a
school
teacher
is
good
who
comes
on-screen
time
and
again
at
regular
intervals
though
not
offering
a
substantial
output
to
the
movie
through
her
character.
Ramadoss's
performance
as
Arun's
uncle
is
good,
while
the
lady
officer
gets
annoying
at
parts.
The
antagonist's
motive
looks
very
trivial
and
his
prosthetic
make-up
is
absurd
as
well.
Director
Ram
Kumar
needs
to
be
given
a
centum
for
his
vision,
scripting,
creation
and
overall
hard
work.
There
is
nothing
to
be
taken
away
from
him
apart
from
certain
glitches
which
can
be
excused.
He
seems
to
have
brought
in
his
real-life
early
days'
struggle
in
Arun
Kumar's
character.
The
second
half
at
parts
loses
its
tenor,
as
it
steers
towards
melodrama
after
a
certain
loss.
But
Ram
Kumar
drives
the
movie
back
to
the
main
road
without
bumping
into
the
speed-breaker.
PV
Shankar's
framing
is
commendable
and
idealistic
for
the
said
genre
which
raises
tension
and
heartbeat
of
the
audience.
Ghibran's
background
score
adds
a
huge
positive
to
the
movie,
which
helps
sequences
sail
in
an
intriguing
manner.
San
Lokesh
could
have
been
crisp
with
his
editing
as
the
movie
seems
huge
with
a
run-time
of
2.50
hours.
With
its
engaging
narrative
pattern
and
performances,
Ratsasan
has
indeed
hit
the
bulls-eye.
If
you
wish
to
witness
a
classic
movie
in
the
local
language,
then
Ratsasan
should
be
in
your
bucket
list
of
the
movies
for
the
weekend.