Thangam
The
first
segment
of
Paava
Kadhaigal
is
Thangam,
which
is
helmed
by
Sudha
Kongara.
This
story,
set
in
the
'80s
revolves
around
the
life
of
Sathaar
(Kalidas
Jayaram),
a
transgender.
He
is
constantly
bullied
by
the
villagers
and
shunned
by
his
own
family.
His
best
friend
Saravanan
(Shanthanu
Bhagyaraj)
is
his
only
confidant.
Thangam
depicts
where
Sathaar's
life
takes
him.
Kalidas
Jayaram,
who
plays
Sathaar,
delivers
one
of
the
finest
performances
of
both
Paava
Kadhaigal
and
Tamil
cinema
in
recent
times.
Shanthanu
Bhagyaraj
and
Bhavani
Sre,
on
the
other
hand,
remind
us
how
highly
underrated
they
are,
with
their
mature
performances.
Director
Sudha
Kongara
has
handled
this
sensitive
topic,
which
mainstream
cinema
is
still
reluctant
to
narrate,
with
absolute
dignity
and
sincerity.
Love
Panna
Uttranum
This
Vignesh
Shivan
directorial,
which
has
a
touch
of
black
humour,
deals
with
the
caste
system
and
has
an
inter-caste
relationship
angle.
Aadhi
Lakshmi
and
Jyothi
Lakshmi
(Anjali)
are
twin
sisters,
who
are
in
love
with
people
whom
their
family
wouldn't
approve
of.
While
one
of
them
succumbs
to
the
pressure,
the
other
gets
to
choose
her
freedom.
Anjali
has
convincingly
played
the
twin
sisters,
who
are
as
different
as
chalk
and
cheese.
Kalki
Koechlin,
who
plays
Penelope,
is
a
revelation
on
the
Tamil
cinema
screen.
The
occasional
bits
of
humour,
and
interesting
characters
make
Love
Panna
Uttranum,
a
comparatively
easy
watch
despite
having
some
dark
moments.
Vaan
Magal
This
story,
which
revolves
around
how
a
couple's
life
changes
after
their
daughter
falls
prey
to
a
heinous
crime,
is
directed
by
Gautham
Menon.
The
director
himself
appears
in
the
lead
role,
along
with
Simran
in
Vaan
Magal,
which
deals
with
the
topics
of
honour
and
shame.
Gautham
Menon
has
treated
the
climax
of
this
segment
in
his
famous
style,
which
makes
it
positive
and
different
from
the
other
stories
of
Paava
Kadhaigal.
The
performance
of
the
entire
star
cast
(the
casting
is
on
point)
has
a
touch
of
underplay,
but
it
goes
overboard
at
certain
points
thus
reducing
the
overall
impact.
But,
Vaan
Magal
is
definitely
a
hard-hitting
take
on
the
false
sense
of
shame.
Oor
Iravu
Vetrimaaran
depicts
the
brutal
face
of
castism
and
discrimination
with
his
segment
Oor
Iravu.
The
segment
narrates
the
story
of
a
pregnant
woman
(Sai
Pallavi)
who
is
accepted
back
by
her
estranged
father
(Prakash
Raj),
who
brings
her
to
their
village
home
for
a
baby
shower.
Prakash
Raj
and
Sai
Pallavi's
performances
are
unarguably
the
biggest
highlights
of
the
segment.
Oor
Iravu
portrays
the
ugliness
of
the
caste
system
with
absolute
honesty,
which
makes
it
the
most
uncomfortable
watch
among
the
four
films.
But,
at
the
same
time,
the
narrative
is
developed
in
a
highly
predictable
way,
without
any
big
surprises.
It
is
commendable
how
the
director
chose
to
narrate
the
dilemma
of
a
guilt-ridden
father
rather
than
featuring
him
as
a
brutal
castist,
thus
making
him
more
humane.
Technical
Aspects
The
technical
aspects
of
Paava
Kadhaigal
are
simply
top-notch.
The
soul-stirring
music
by
Justin
Prabhakaran,
Karthik,
and
R
Sivathmika
has
elevated
the
overall
impact
of
all
the
segments
and
played
a
major
role
in
creating
the
haunting
mood.
The
brilliant
visualisations
by
Jomon
T
John,
Theni
Eswar,
and
Ganesh
Rajavelu
have
made
the
anthology
a
captivating
watch.
The
production
design,
make-up,
and
costume
departments
too
deserve
special
applause.