Psycho Movie Review: This Mysskin Directorial Is Not For The Faint-Hearted!
Psycho is the psychological thriller which is written and directed by Mysskin. The movie features Udhayanidhi Stalin, Nithya Menen, and Aditi Rao Hydari essay the lead roles.
Psycho,
the
psychological
thriller
which
has
been
considered
as
the
most
violent
Indian
film
ever,
has
finally
hit
the
theatres.
The
movie,
which
is
written
and
directed
by
Mysskin,
features
Udhayanidhi
Stalin,
Nithya
Menen,
and
Aditi
Rao
Hydari
in
the
lead
roles.
Psycho
is
produced
by
Arun
Mozhi
Manickam,
under
the
banner
Double
Meaning
Production.
Did
the
Myskkin
directorial
impress
the
cine-goers?
Read
Psycho
movie
review
here
to
know...
Plot
A
psychopath
serial
killer
named
Anguli
(Raj)
murders
women
and
keeps
their
heads
as
his
trophies.
He
kidnaps
Dagini
(Aditi
Rao
Hydari),
a
radio
jockey
just
when
she
was
about
to
accept
the
love
of
her
long-time
admirer
Gautham
(Udhayanidhi
Stalin),
a
visually-challenged
man.
Dagini
challenges
Anguli,
saying
that
Gautham
will
track
him
down,
even
if
he
kills
her.
Gautham,
on
the
other
hand,
begins
his
search
for
his
lover
and
the
psychopath
with
the
help
of
the
quadriplegic,
foul-mouthed
former
cop
Kamala
(Nithya
Menen)
and
a
police
sub-inspector
(Ram).
How
Gautham
tracks
down
Anguli
forms
the
crux
of
Pyscho.
Script
&
Direction
The
signature
style
of
Mysskin,
the
writer-director
is
totally
visible
in
each
and
every
aspect
of
Psycho.
The
movie,
which
has
been
narrated
with
an
ample
amount
of
violence
and
bloodshed,
is
definitely
not
for
the
faint-hearted.
Unlike
the
age-old
tradition
of
portraying
the
psychopath
in
a
negative
light,
Mysskin
has
taken
a
different
route
with
Pyscho
by
empathizing
with
the
serial
killer.
This
angle
definitely
makes
the
movie
stand
out.
However,
Psycho
falls
flat
at
certain
portions
with
its
extremely
dramatic
narrative
and
usages
of
age-old
cliches.
The
screenplay
fails
in
establishing
a
convincing
romantic
angle
or
emotional
bond
between
Gautham
and
Dagini
(where
the
woman
eventually
falls
for
her
crazy
stalker).
Also,
most
of
the
characters,
especially
Udhayanidhi's
Gautham
and
Ram's
sub-inspector
are
severely
under-written.
Psycho
loses
the
impact
it
made
in
the
first
half
in
the
second
half
and
climax,
which
looks
rushed
and
has
so
many
logical
loopholes.
It
dilutes
the
overall
experience
for
the
viewers
and
simplifies
the
aspects
which
had
the
potential,
especially
the
serial
killer's
repentance.
However,
the
confrontation
between
Gautham
and
Anguli
has
been
staged
brilliantly.
In
short,
Mysskin
has
succeeded
in
weaving
a
unique
psycho-thriller
which
has
some
extraordinary
moments
to
offer.
But
Psycho
could've
been
an
even
better
cinematic
experience
if
the
extreme
dramatics
and
logical
loopholes
were
avoided
and
characters
were
written
with
a
little
more
conviction.
Performances
Udhayanidhi
Stalin
has
done
a
decent
job
as
Gautham,
the
visually-challenged
man.
His
body
language
and
mannerisms
make
the
character
believable,
but
the
underwritten
role
doesn't
offer
him
much
to
perform.
Aditi
Rao
Hydari
is
the
perfect
choice
for
the
angel-faced
Dagini
and
has
perfectly
emoted
her
character's
empathy
and
helplessness.
But
it
is
Nithya
Menen
who
steals
the
show
with
her
brilliant
portrayal
of
the
foul-mouthed,
quadriplegic,
former
cop
Kamala.
Nithya
once
again
proves
that
she
is
the
most-underused
talents
we
have,
with
her
terrific
performance.
The
rest
of
the
star
cast,
including
Raj,
Ram,
Adukalam
Narain,
Renuka,
Singampuli,
etc.,
have
done
their
parts
well.
Technical
Aspects
The
background
score
by
the
Musical
Maestro
Ilaiyaaraja
is
the
heart
and
soul
of
Psycho.
Along
with
the
excellent
score
that
creates
the
perfect
mood
for
the
psychological
thriller,
the
veteran
musician
has
brilliantly
used
silence
as
a
key
factor,
which
totally
elevates
the
experience.
The
songs
are
good
too.
Tanveer
Mir,
the
director
of
photography
has
scored
with
the
exceptional
visuals
of
the
movie.
The
brilliant
lighting
and
extraordinary
frames
deserve
great
applause.
Verdict
Psycho
is
a
unique
psychological
thriller
that
offers
some
brilliant
moments
if
you
are
willing
to
look
past
its
flaws.
But
this
Mysskin
directorial
is
definitely
not
for
the
faint-hearted.