Star
Cast:
Ridhi
Dogra,
Monica
Dogra,
Imaaduddin
Shah,
Suhaas
Ahuja
Director:
Sahir
Raza
Available
On:
ALTBalaji
and
ZEE5
The
Married
Woman
is
the
story
of
a
teacher
who
leads
a
seemingly
perfect
life
with
her
husband,
children
and
in-laws.
She
experiences
an
extraordinary
journey
of
self-discovery
when
she
meets
her
colleague
and
his
wife.
She
realises
her
identity
goes
much
beyond
that
of
a
dutiful
wife,
a
doting
mother
and
an
obedient
daughter-in-law.
In
the
backdrop
of
ruthless
communal
riots
and
societal
norms,
she
finds
her
life
unexpectedly
intertwined
with
another
woman
who
appears
to
be
starkly
different
from
her,
but
is
struggling
to
fight
her
own
battles.
The
11-episode
series,
which
is
based
on
author
Manju
Kapur's
book
A
Married
Woman,
aims
to
unravel
a
woman's
journey
to
embrace
and
discover
herself
in
a
new
light.
What's
Yay:
The
performances,
background
score
and
production
design.
What's
Nay:
The
shoddy
editing.
Story
Astha
(Ridhi
Dogra)
is
a
college
teacher
who
juggles
to
be
the
perfect
wife,
mother
and
daughter-in-law.
With
time,
she
experiences
the
spark
losing
from
her
marriage
and
is
reduced
to
just
dutifully
serving
her
family,
keeping
aside
her
own
desires
and
identity.
Her
husband
Hemant
(Suhaas
Ahuja)
fails
to
comprehend
the
longing
in
his
wife's
heart
to
be
loved
and
desired.
Astha's
life
gains
a
new
perspective
when
she
meets
Aijaz
(Imaaduddin
Shah)
who
enables
her
to
unveil
herself
in
a
new
light.
She
finds
herself
forming
an
endearing
connection
with
him
during
her
path
to
self-discovery.
However,
when
he
does
not
reciprocate
her
feelings,
she
unexpectedly
bonds
with
his
wife
Peeplika
(Monica
Dogra)
due
to
a
fateful
turn
of
events.
What
forms
is
a
passionate
attraction
and
a
heart-to-heart
affiliation
between
the
two
women
amidst
the
societal
norms
and
communal
unrest.
Sahir
Raza
has
skillfully
brought
to
light
various
aspects
like
patriarchy,
communal
tension,
societal
norms
and
judgments,
and
sexuality
in
an
intricate
manner
in
The
Married
Woman.
He
has
added
the
right
amount
of
depth
and
intensity
in
his
central
protagonists
and
successfully
highlights
their
actions
and
inner
battles.
Writers
Aparna
Nadig,
Jaya
Misra
and
Surabhi
Saral
make
some
of
the
dialogues
act
as
the
most
accurate
catalyst
in
depicting
the
state
of
mind
of
the
characters.
Be
it
Astha's
dilemma,
Eijaz's
liberalism,
Peeplika's
passion
or
Hemant's
patriarchal
approach,
the
director
has
carved
the
subtle
nuances
in
the
personality
of
his
pivotal
protagonists.
The
social
stigma
surrounding
sexuality,
inter-caste
marriages,
homosexuality
and
religious
boundaries
have
been
dealt
with
in
a
complex
manner
in
The
Married
Woman.
Some
of
the
dialogues
which
depict
the
shattering
of
preconceived
notions
around
love,
religion
and
sexuality
appear
to
be
hard-hitting
and
create
an
impact.
The
point
that
the
series
lacks
is
the
editing,
which
adds
to
a
laborious
pace.
The
series
also
fails
to
give
a
strong
justification
for
Astha's
sudden
attraction
towards
Peeplika,
which
looks
a
little
unconvincing
and
confusing.
In
some
parts,
The
Married
Woman
does
not
imbibe
a
new
approach
in
dealing
with
some
issues,
thus
appearing
stereotypical.
The
show
also
does
not
deal
with
the
backdrop
of
the
communal
tension
which
is
reduced
to
a
mere
scenario.
The
performances
are
inevitably
the
main
highlight
of
the
show.
Ridhi
Dogra
is
the
show-stealer,
as
she
brings
the
right
amount
of
depth
and
intensity
to
her
character.
Be
it
as
a
wife
shackled
in
a
claustrophobic
marriage
or
as
a
woman
trying
to
free
herself
while
recognising
her
desires,
she
sinks
her
teeth
into
her
character
effortlessly.
The
fourth-wall
kind
of
narration
from
her
character
further
enables
the
viewers
to
connect
with
her
feelings
and
emotions.
Monica
Dogra
does
a
fine
job
of
bringing
passion
and
vulnerability
to
her
character,
while
being
a
free
spirit.
Imaad
Shah
as
the
liberal
Aijaz
looks
convincing
and
creates
a
strong
impact
during
his
otherwise
brief
screen
time.
Suhaas
Ahuja's
act
as
the
patriarchal
and
orthodox
Hemant
is
real
and
compelling.
The
supporting
cast
fits
perfectly
in
its
roles.
Technical
Aspects
The
production
design
by
Maurya
and
Vivek
Prakash
wins
big
and
acts
as
an
efficient
catalyst
in
the
plotline
and
character
development
of
The
Married
Woman.
The
cinematography
by
John
Wilmor,
especially
when
it
comes
to
depicting
the
artistic
sequences
of
Peeplika's
paintings,
or
Astha
and
Eijaz
bonding
over
a
controversial
college
play,
is
also
a
huge
plus
point.
Music
The
Married
Woman
title
song
'Bematlab'
by
Amrita
Bagchi,
which
also
adds
as
an
occasional
background
score,
is
pleasing
to
the
ear
and
also
unfolds
some
riveting
lyrics.
Verdict
Experience
this
one
to
relive
a
woman's
journey
of
self-discovery
and
recognising
her
desires
and
identity.
Even
with
some
stereotypical
approach,
the
series
tries
to
put
forth
its
message
with
some
strong
performances.
We
give
The
Married
Woman
3
out
of
5
stars.