<i>Priyasakhi</i> - Review
Monday,
November
06,
2006
Director
Adiyaman
did
a
wonderful
job
in
moulding
a
beautiful
love
story
coupled
with
sentiment
on
the
celluloid.
Several
love
stories
came
on
the
silverscreen
and
at
the
same
time,
there
are
similar
stories
where
the
hero
and
heroine
separate
with
misunderstanding
and
again
unite
on
some
reason
or
the
other.
But,
in
this
film,
the
director
gave
a
good
solution
to
such
headstrong
girls,
who
think
that
moving
like
a
socialite
is
a
cosmopolitan
culture
and
ignore
the
human
relations.
He
aptly
resolved
that
one
should
taste
the
sweetness
in
blood
relation
and
then
only
they
could
realize
the
real
happiness
in
it.
Radha Krishan (Madhavan) alias Kittu is a senior manager in an automobile company. He has a sweet and joint family including grandmother, mother, sister, brother and sister-in-law, who has a son and a daughter. The family is quite traditional and an upper-middle class family. He happens to meet an ultra-modern good looking girl and loses his heart. Unlike Kittu's family, Priya's parents are also quite modern and has a cosmopolitan nature. They are too outgoing. Especially, Priya's mother is a club-bird and is very socialite, while Priya's father is a hen-pecked hubby who doesn't bother to have a social life of his own and always stays back in home. Priya emulates her mother and keep herself busy like her mother with parties. She has no attachments and behaves like a free bird. Both Kittu and Priya fall in love with each other. However, Priya's mother warns her not to marry Kittu as he is just an upper-middle class boy and from a traditional family. But Priya is mad about Kittu and marries him. Only after her marriage she comes to know how the life would be in a joint family. She, however, could not adjust in that family and wants Kittu to get away from it. But Kittu refuses her idea. At this juncture, Priya turns pregnant. First she thinks of getting it aborted but Kittu doesn't like the idea. Priya unable to decide what to do and goes with her mother innocently to a hospital. Even before something really happened Kittu reaches the hospital and prevents the abortion. At this juncture, Priya comes to know that Kittu had read her diary and knew her tastes before their marriage and during their love. She starts hating Kittu saying that he cheated her. As she starts boozing in the party, Kittu slaps her which led to their separation. It goes to the extent of taking judicial separation. But Kittu pleads with the court that he wants his baby in Priya's womb. So the court directs to deliver the baby and then take divorce. In order to safeguard the baby in the womb, Kittu gets court permission to provide security to her and he too wants to stay with her. The time goes by and Priya delivers a girl. Again on the doctor's advice, she had to stay with Kittu to breastfeed her baby. Then she realizes the sweetness of attachment between a mother and a child and in a joint family. The film ends on a happy note with the union of Kittu and Priya.
Plus:
Madhavan's
performance
as
a
lover,
brother,
son
and
a
husband
is
fantastic.
He
did
a
decent
job
in
all
the
shades.
However,
it
would
have
been
better
if
he
could
shed
some
weight.
Sada
stole
the
limelight
with
her
glamour,
performance
and
histrionics.
Performance
by
Aishwarya
as
a
cosmopolitan
cultured
woman
is
good
and
she
is
known
for
doing
such
roles
with
ease.
Prathap
Pothan
as
hen-pecked
husband
and
Rajyalakshmi
as
Madhavan's
mother
did
justice
to
their
roles.
A
big
plus
point
in
the
film
is
the
climax,
wherein
the
heroine
realizes
the
sweetness
in
togetherness.
Minus:
The
film
has
very
few
minus
points
to
mention.
The
comedy
track
by
Kovai
Sarala
looked
quite
overboard.
It
would
have
been
better
if
it
had
been
trimmed
a
little
by
the
editor.
Choreography
for
a
couple
of
songs
is
good
and
the
audio
is
just
okay.
The
screenplay
in
the
first
half
is
okay
and
moved
at
a
steady
pace,
the
second
half
of
the
film
looked
a
little
bore
with
the
hero
trying
to
teach
her
a
lesson.
Remarks:
Though
the
film's
storyline
is
different
and
the
performance
by
all
the
artistes
is
okay,
the
commercial
viability
may
not
be
very
interesting
as
it
has
nothing
to
attract
the
mass
audiences
as
well
as
youth.
Only
class
audiences
and
families
could
bear
the
slow
story.
The
image
of
Madhavan
and
Sada
in
Telugu
is
comparatively
less
and
we
have
to
wait
and
watch
how
the
people
will
receive
it.
Cast: Madhavan, Sada, Aishwarya, Pratap Pothan, Rajyalakshmi, Ramesh Khanna, Madhubala, Manobala, Kovai Sarala and Rehman others.
Credits:
Cinematography
-
Sethu
Sriram
Screenplay
-
Rumi
Jaffery
Editing
-
Udayashankar
Music
-
Bharadwaj
Dialogues
and
lyrics
-
Vennelakanti
Presents
-
C
Kalyan
Producer
-
Teja
Story
and
Direction
-
KS
Adiyaman.
Banner
:
Teja
Cinema
Released
on
:
November
03,
2006.
Gallery : Actors, Actresses, Movies, Special Events.
Priyasakhi - Movie Stills.
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