<i>Aadivaram Aadavaallaku Selavu</i> Review
Friday,
February
23,
2007
The
message
registers
at
point
blank
range
Raja
Vannemreddy,
who
has
directed
hits
like
Kshemamga
Velli
Labhamgaa
Randi
had
once
again
made
a
complete
entertainer
in
the
form
of
Aadivaram
Aadavallaku
Selavu.
It
may
be
mentioned
here
that
Dasari
Narayana
Rao,
who
had
directed
more
than
100
films
and
scripted
stories
more
than
150
film
storylines,
has
written
the
script
for
the
film.
The
basic
premise
of
the
story
is
that
women,
who
work
for
their
families
all
through
the
year,
need
some
rest
for
all
their
hard
work.
Though
everyone
feels
this
way
about
women,
nobody
makes
it
a
reality.
At
a
time
everyone
is
fighting
for
equal
rights
for
men
and
women,
women
have
a
place
of
hard
work
and
only
hard
work.
The
film
is
an
eye-opener
to
the
male-dominated
society.
Story:
Kovai
Sarala
works
in
a
flat
in
an
apartment
complex
by
name
-
Brindavan
Apartments
as
a
servant
maid(panimanishi).
The
apartment
complex
has
an
executive
body
of
which
Bellu
Pulla
Rao
(Kondavalasa
Lakshmana
Rao)
is
secretary,
Venugopal
(Venumadhav)
is
treasure,
Nagabharanam
Narasimha
Sastry
is
the
president
and
Rambabu
(Krishna
Bhagawan)
is
the
joint
secretary.
All
these
four
have
a
huge
"male" ego.
Even
after
25
years
of
marriage,
Pulla
Rao
harasses
his
wife
Savitri
(Sakuntala).
So
does
Rambabu
despite
the
fact
that
he
lives
on
her
earnings.
The
role
of
his
wife
is
played
by
Rajani
(Surekhavani).
Ths
same
is
the
case
with
Venugopal
and
his
wife
Gita
played
by
Gita
Singh.
Narasimha
Sastry's
wife,however,
dies
and
he
marries
a
dancer
(Abhinayasri).
In the very same apartment complex, lives Ananda Rao (Sivaji) who respects his wife s great deal more than the previoulsly mentioned four people. His wife's role is played Suhasini. Ramulamma(Suhasini) encourages these women to change the way that they are treated by their husbands by putting their foot down - she makes them compete with their husbands in the elections to the apartment complex's executive body and gets them elected. Ramulamma then declares Sundays a wekly holiday, bringing into effect a rule that makes it wrong for women to work on a Sunday. Ramulamma(Ananda Rao's wife) goes into coma and he sits by her side treating her even more like a queen.
Unable to digest their wives gaining an upper hand, the husbands decide to teach them a lesson and serve them divorce notices. But the women don't care it. Irked over their behaviour, the husbands go to court and employ a top advocate (Jayaprakash Reddy) to argue their case. He makes the court believe that the wives are harassing the husbands and pleads for divorces from their wives. But no advocate dares to argue on behalf the women. Towards the end,the story takes a twist wwhen Supreme Court advocate Prakash (Prakashraj) appears in the court and appeals that he help t he women fight the case. He asks the husbands how they would survive without their wives. He tactfully made them to admit that they would employ servants to do those jobs. As they admit that they would pay salaries to the servants and get their job done, Prakash appeals to the court to make them pay for the services rendered by their wives during their period of marrigewhich comes to around Rs 1.25 crore for Bellu Pulla Rao.
As they plead that they will not pay such hefty amounts, Prakash argues on behalf of the entire women community saying that it was the women who work on 365 days without any holiday and pleads with the court to declare one day in a week a holiday. However, the women appeal to the court that they don't want compensation but only want their husbands as their husbands are like children and can't do any work on their own. With the women's sentiment growing, the film ends with a happy note with the women taking leisure on Sunday with their hubbies working at home.
Plus
Points
The
performance
of
all
the
artistes
is
excellent
and
the
entire
film
is
a
comedy.
The
use
of
old
song
bits
in
the
film
is
a
novel
experiment
and
is
quite
hilarious.
The
director
has
used
the
comedians
very
well.
They
not
only
provided
good
comedy
but
also
proved
that
they
can
act
well.
Though
the
roles
played
by
Sivaji
and
Suhasini
are
very
small,
they
have
good
depth
in
it.
Kovai
Sarala
had
repeated
her
performance
on
the
lines
of
her
role
in
an
earlier
film
'Sandade
Sandadi'.
The
performance
of
Prakash
Raj
at
the
end
of
the
film
is
terrific.
The
last
20
minutes
of
the
film
is
quite
serious
and
is
a
must
watch
part
of
the
movie.
There
is
only
one
song
in
the
movie
which
has
been
rendered
by
Jesudas
which
depicts
the
plight
of
a
woman
in
a
male-dominated
world.
Minus
Points
The
Radha-Krishna
comedy
with
Dharmavarapu
Subrahmanyam
and
MS
Narayana
and
other
artistes
is
unnecessary.
At
the
same
time,
the
Shakeela
episode
is
also
absurd.
Though
the
director
wanted
to
prove
that
the
males
are
always
after
other
women
than
their
wives,
the
Shakeela
episode
would
have
trimmed
further.
But
for
these
two
scenes,
the
entire
film
is
worth
watching.
Final
Remarks:
The
director
was
able
to
prove
what
he
wanted
to
explain
through
his
film.
Especially,
the
cool
and
gripping
screenplay
made
the
audiences
stick
to
their
seats
with
complete
entertainment
to
a
large
extent
and
a
serious
message
in
the
end.
Once
again,
there
are
lots
of
chances
for
this
film
turning
a
hit
because
of
total
comedy
and
would
pull
the
family
crowds
because
of
the
message
at
the
end
of
the
film.
Cast: Sivaji, Prakashraj, Jayaprakash Reddy, Brahmanandam, Dharmavarapu Subrahmanyam, Venumadhav, Kondavalasa Lakshmana Rao, Krishna Bhagawan, Raghubabu, MS Narayana, Kanta Rao, Melkote, Kovai Sarala, Suhasini, Telangana Sakuntala, Gita Singh, Surekha Vani, Abhinayasri, Rajitha, Shakeela and others.
Credits:
Story
-
Dasari
Narayana
Rao
Music
-
Vandemataram
Srinivas
Camera
-
Rajendrakumar
Presenter
-
Soubhagya
Exports
Ltd
Producer
-
Leelarani
Vannemreddy
Story,
Screenplay
and
direction
-
Raja
Vannemreddy.
Banner: Manga Movie Makers
Released on: February 23, 2007
Aadivaram Aadavaallaku Selavu Stills:
Gallery : Actors, Actresses, Movies, Special Events.
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