<i>Maharathi</i> Review
Friday,
February
02,
2007
P
Vasu
gives
a
new
lease
of
life
to
Balakrishna
The Balakrishna starrer Maharathi which had finished shooting more than three months ago suffered the labour pains for a long and finally saw the light on February 1. Directed by P Vasu, who had several hits to his credit including the blockbuster like Chandramukhi had wielded the megaphone for this flick. There are lots of expectations on the film as there are no notable hits for Balakrishna in the recent past. He is really craving for a hit. Maharathi will definitely give him a little solace, though it could not be counted as a big hit, it is better than his recent earlier films.
Balakrishna (Balakrishna) is the son of Sarala (Kovai Sarala), who runs a small tea bunk in a colony. Though Balakrishna is poor, he is rich in heart and will never spare any one who does injustice to the society or to the poor. He is so kind that he takes the blame of others and goes to jail for the sake of the others' benefit. Bhairavi (Sneha), whose mother Chamundeswari (Jayaprada) is in London reaches India to set up a dance and music school and stays in Padmavati Ladies Hostel near the colony where Balakrishna stays as her friends tell her that he is a good singer and dancer. Bhairavi falls in love with him. However, Chamundeswari who is proud and egoistic pretends that she accepted Bhairavi's love, but chides Sarala saying that she had resorted to male prostitution through her son. Perturbed over the comment, Sarala dies in a road accident. Learning that Sarala died due to her mother's attitude, Bhairavi also commits suicide. Balakrishna almost turns mad with the death of his mother and love. But he realizes that he should teach Chamundeswari a lesson. On the other side, Chamundeswari got married to Naresh Rayudu (Naresh), but gets separated from him due to her arrogance and divorces him. While they have two girl children, the elder girl Bhairavi stays with Chamundeswari, the younger one Kalyani (Meera Jasnmine) is with Rayudu. Balakrishna splits himself into two personalities as a singer Bala and joins Rayudu, while as Krish @ Krishna with Chamundeswari. He makes Kalyani to fall in love with him. However, she doesn't know that Bala and Krish are one at the same. As Bala encourages her, she goes to Krishna and tells him that she loves him. But Krish pretends that she is not love with him. As Kalyani demands her father to bring Krish, Rayudu has no option but to go to Chamundeswari, who runs a dance school in the nearby, where Krish was working as dance teacher, to plead with her to give Krish to him. Both Rayudu and Chamundeswari realize that Kalyani is in deep love with him, Balakrishna declares that he is none other than Balakrishna, but acted as Bala and Krish. Reminding that the same Chamundeswari had rejected him once, he reveals that the same person is pleading with him to marry her daughter. The film ends on a happy note with the union of both Rayudu and Chamundeswari and also Balakrishna and Kalyani.
Plus:
Balakrishna
looked
very
smart
in
the
film
and
in
fact,
the
nice-looking
Sneha
looked
a
little
fatty
than
him.
Balakrishna
also
worked
really
hard
for
the
film
and
the
ease
he
showed
in
dance
sequences
prove
the
same.
Both
the
heroines
did
their
job
pretty
well
by
filling
the
glamour
slots.
Though
reaches
the
middle
age,
Jayaprada
proved
that
she
could
dance
perfectly
and
performed
Bharata
Natyam
with
much
Élan
at
the
beginning
of
the
film.
It
is
one
of
the
highlights
of
the
film.
Director
Vasu
and
his
directorial
ability
could
be
seen
in
every
frame.
The
action
scenes,
which
were
meant
to
entertain
the
mass
audiences
were
also
shot
pretty
well.
Screenplay
of
the
film
though
not
so
tight,
was
good
enough
to
make
the
audiences
stay
in
seats.
Minus:
The
screenplay
again
has
to
be
said
the
minus
point
in
the
film.
There
are
several
lose
ends
in
the
screenplay.
Especially,
how
does
the
second
villain
know
the
address
of
Chamundeswari.
How
Balakrishna
knows
that
Bhairavi
has
a
sister.
When
Chamundeswari
takes
Sarala
many
people
bear
witness
to
it
but
they
tell
Balakrishna
that
his
mother
is
missing.
The
Sudeepa
love
episode
was
also
not
established
properly.
Comedy
took
backseat
in
the
film
as
there
is
very
little
scope
for
comedy
and
audience
had
no
scope
to
relax
and
laugh
heartily.
Remarks:
Music
by
Kannada
music
director
Gurukiran
is
good
and
has
good
mass
beat.
A
couple
of
songs
are
based
on
melody.
Cinematography
by
Sekhar
V
Joseph
is
okay,
while
editing
by
Suresh
Urs
is
not
bad.
As
a
whole
the
film
is
worth
watching
once
for
the
sake
of
Balakrishna.
Balakrishna
played
a
character
which
had
three
different
dimensions.
Jayaprada,
who
restarted
her
innings
with
this
film
did
justice
to
her
character.
In
fact,
she
is
the
best
choice,
as
there
are
no
woman
artistes,
who
could
show
arrogance
in
their
acting.
She
almost
played
a
role
similar
to
the
one
played
by
Vanishree
in
Bobbili
Raja
of
Venkatesh.
Cast : Balakrishna, Sneha, Meera Jasmine, Jayaprada, Naresh, Kovai Sarala, Pradeep Rawat, Venumadhav, Satyam Rajesh, Sutti Velu, Gautamraju, Lakshmipati, Srinivasa Reddy, Anant, Jayaprakash Reddy, Ashokkumar, Ali, Navneet Kaur, Sudeepa, Geeta Singh and others.
Credits
:
Story
and
dialogues
-
Thotapalli
Madhu
Cinematograph
-
Shekhar
V
Joseph
Editing
-
Suresh
Urs
Action
-
Dalapati
Dinesh
Presents
-
Rangana
Adiseshaiah
Producer
-
Vakada
Appa
Rao
Direction
-
P
Vasu
Banner : Sri Lalitha Kalanjali Productions
Released on : February 1, 2007
See stills
Gallery : Actors, Actresses, Movies, Special Events.
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