Most
of
the
debutant
directors
choose
love
subjects
as
they
strongly
feel
that
they
can
handle
the
story
easily.
However,
it
is
not
that
easy
to
portray
love
subjects.
Srikanth
Addala
has
also
chosen
a
teenage
love
story
as
his
subject.
It
is
quite
a
delicate
subject
and
any
small
mistake
in
dealing
with
the
story
would
result
in
causing
huge
loss
to
the
producer,
especially
for
a
person
like
Dil
Raju.
It
is
not
just
a
monetary
loss
but
it
would
be
the
prestige
and
reputation.
Surprisingly,
the
director
has
done
a
balanced
job
and
has
made
it
a
memorable
love
story
along
the
lines
of
Maro
Charitra.
Of
course,
he
has
given
a
good
twist
in
the
climax
which
is
beyond
the
imagination
of
the
audiences.
Balu
(Varun
Sandesh)
is
the
only
son
of
his
parents
(Prakash
Raj
and
Jayasudha).
Incidentally,
Balu's
parents
had
a
love
marriage.
Balu's
father
never
treated
him
as
his
son
but
like
a
friend.
He
gave
him
complete
freedom
in
all
respects.
After
completion
of
his
SSC,
Balu
got
admission
in
a
junior
college
and
stays
in
the
hostel.
Swapna
(Swetha)
is
the
daughter
of
a
landlord
(Ahuti
Prasad).
Like
many
teenage
boys
and
girls,
they
too
get
attracted
to
each
other.
However,
they
cannot
decide
whether
theirs
is
an
attraction
or
love.
When
there
are
holidays,
both
Swapna
and
Balu
decide
to
note
down
as
to
how
many
times
they
remembered
each
other
and
to
their
surprise
they
realise
that
each
of
them
times
they
remember
one
another.
They
finally
confirm
that
they
are
in
love.
Once,
the
girls
go
on
an
outing
from
hostel
and
Balu
jumps
the
boundary
wall
and
join
Swapna.
Incidentally,
some
person
clicks
their
photograph
and
get
it
published
in
the
newspaper.
The
principal
sends
away
Balu
and
directs
him
to
bring
his
father
to
obtain
hall
ticket
for
the
exam.
Swapna's
father
who
sees
the
photographs
takes
away
his
daughter.
Now
the
struggle
between
the
souls
start.
Balu
makes
several
efforts
to
find
out
Swapna's
address
but
cannot
trace
it.
However,
Swapna
gets
the
address
of
Balu
and
writes
down
a
letter
to
him.
Somehow,
both
of
them
again
meet
during
the
exam
time.
Pulling
courage,
Balu
meets
Swapna's
father
and
boldly
explains
his
love
towards
Swapna.
Later,
Swapna's
father
decides
to
marry
her
to
someone.
Noticing
the
change
in
Balu,
his
mother
tries
to
find
out
the
problem
but
fails
to
know
anything.
Accidentally,
Balu's
friend
Raga
Sudha
(Sushma)
reveals
his
love
story
to
Balu's
father.
At
that
time
Swapna
decides
to
elope
with
Balu.
However,
the
latter
could
not
meet
her
as
Balu's
father
died
in
an
accident.
His
father's
death
makes
Balu
make
a
commitment
that
he
would
groom
himself
the
way
his
father
had
dreamt
of.
He
completes
his
engineering
course.
When
he
is
about
to
take
his
degree,
Swapna's
father
accidentally
meets
Balu
in
a
railway
station.
Then
Balu
realises
that
Swapna
is
not
with
either
of
them.
In
the
climax,
Balu's
mother
reveals
that
she
had
kept
Swapna
in
their
lecturer's
custody
and
had
made
her
to
complete
her
engineering
too.
The
film
ends
on
a
happy
note
with
the
union
of
Balu
and
Swapna.
PLUS:
The
director
needs
compliments
for
extracting
the
talents
in
the
artistes.
His
excellent
screenplay,
memorable
taking,
directorial
abilities
could
be
seen
in
each
frame
of
the
film.
It
is
definitely
a
director's
film
and
the
artistes,
the
hero
being
an
upcoming
artiste,
the
heroine
a
debutant,
are
moulded
well.
The
entire
film
revolves
around
these
two
characters.
They
are
fantastically
supported
by
Ahuti
Prasad's
character.
Once
again
Prakashraj
has
played
a
memorable
character
in
the
role
of
a
father.
It
is
like
a
role
model
for
all
the
teenage
children.
Jayasudha,
known
for
her
natural
acting
talents,
has
done
justice
to
her
role.
Brahmanandam's
comedy
brings
instant
relief
at
times
like
comic
tonic.
Music
by
Mickey
J.
Meyer
is
melodious
and
the
tunes
are
quite
novel.
There
is
no
need
for
a
special
mention
when
the
camera
is
handled
by
a
senior
cinematographer
like
Chota
K
Naidu.
He
has
captured
not
only
the
feelings
of
the
artistes
but
also
portrayed
the
natural
beauty
of
Konaseema
with
his
camera.
Editing
by
Marthand
K
Venkatesh
has
proved
his
seniority
with
not
a
scene
left
as
unnecessary.
MINUS:
Though
the
director
has
brought
out
the
love
story
in
an
excellent
manner,
he
might
have
forgotten
that
the
boys
and
girls
hostels
will
generally
be
separate
and
there
won't
be
a
chance
for
their
union.
At
the
same
time
though
the
character
of
Rao
Ramesh
helps
in
the
nice
movement
of
the
story,
he
gives
a
wrong
picture
that
lecturers
encourage
love
between
teenagers.
Of
course,
there
might
be
some
such
instances
where
the
lecturers
encourage
the
talented
students
in
all
respects.
The
director
has
appeared
to
have
lost
grip
on
the
subject
after
the
interval
with
some
long
scenes,
they
are
unavoidable
as
to
show
how
the
lovers
feel
the
separation.
But
for
few
lapses
here
and
there,
the
minus
points
in
the
film
are
minimal.
REMARKS:
Instead
of
going
to
foreign
locales,
the
director
has
penned
a
story
which
has
enabled
the
producer
to
show
the
greenery
and
the
beauty
of
Konaseema
and
the
village
atmosphere.
Really
the
first
song
in
the
film
take
the
audiences
to
their
childhood,
especially
those
who
move
around
in
those
localities
like
Rajahmundry,
Kasimkota
and
other
Konaseema
areas.
The
film
would
remain
memorable
for
Varun
Sandesh
in
his
career.
Though
there
were
gossips
that
some
XYZ
was
planning
to
remake
Maro
Charitra
with
the
same
hero,
there
is
no
need
for
such
film
now
as
Kotha
Bangaru
Lokam
has
given
the
same
feel
to
the
audiences.