It
is
quite
surprising
that
a
director,
who
had
42
films
to
his
credit
is
making
an
attempt
in
his
own
production,
sans
a
perfect
story.
As
the
title
suggests,
the
entire
film
is
haphazard
and
has
literally
nothing
to
talk
about.
Despite
having
a
huge
star
cast,
with
a
whole
lot
of
senior
comedians,
the
director
is
unable
to
reap
good
entertainment
and
almost
groped
in
the
dark.
Though
there
is
a
hero
and
heroine,
they
just
remain
namesake
and
hardly
appear
on
the
screen
and
shake
legs
and
vanish.
There
is
an
industrialist
who
has
a
big
bungalow
in
Hyderabad.
He
keeps
one
Kasi
Viswanath
as
caretaker
of
his
house
and
leaves
for
the
US
and
settles
there.
However,
the
caretaker
dies
and
his
nephew
(menalludu)
Chintu
(Venumadhav)
takes
over
the
building
and
rent
it
out
to
four
families.
One
family
is
headed
by
Pekata
Papa
Rao
(MS
Narayana).
His
son
Prabhu
(Prabhakar)
and
daughter-in-law,
both
are
employees
and
the
man
is
a
hen-pecked
husband.
Prabhu
has
a
brother
(Yashwant)
who
is
fond
of
photography.
So
the
wife
looks
her
father-in-law
very
mean,
but
he
never
cares.
Another
portion
is
occupied
by
a
factionist,
the
third
one
is
being
occupied
by
a
former
film
actor
(Balayya).
His
daughter
(Farjana)
works
in
a
bank,
his
son
(Raghubabu)
craves
to
become
a
film
hero.
There
is
another
portion
occupied
by
a
middle-class
family.
The
man
(Brahmanandam)
who
heads
the
family,
marries
his
daughter
(Hema)
to
a
boy
(Krishna
Bhagawan),
by
making
a
false
claim
that
he
owned
the
house.
Prabhu
falls
in
love
with
the
actor's
daughter
and
appeals
to
her
to
act
as
his
model.
Though
she
refuses
his
offer
in
the
beginning,
she
agrees
after
seeing
his
honesty.
She
too
accepts
his
love.
At
this
juncture
one
Munna
(Ali)
comes
to
the
house
claiming
that
the
house
belongs
to
him.
Chintu
welcomes
him
and
at
one
stage,
he
gets
a
doubt,
where
Munna
is
going
when
he
gets
a
phone
call.
He
comes
to
know
that
Munna
is
not
the
real
owner
and
the
actual
owner
is
in
hospital.
In
fact,
Munna
is
a
petty
thief
and
he
tries
to
steal
the
brief
case
of
Bhupati
Raja
(Kota
Srinivasa
Rao)
who
is
hit
by
a
trunk
box
accidentally
and
loses
consciousness
and
suffers
amnesia.
So,
he
admits
Bhupati
Raja
in
hospital
and
comes
to
the
bungalow
on
his
name.
Here
there
is
another
twist
that
Bhupati
Raja
has
a
step
brother
(Kota
Srinivasa
Rao),
who
is
searching
for
his
father
to
take
revenge
against
him
for
deserting
his
mother.
He
finds
Bhupati
Raja
in
the
hospital
and
he
too
reaches
the
bungalow
claiming
that
he
is
the
Bhupati
Raja.
Munna,
who
knows
that
he
is
not
Bhupati
Raja,
warns
him
and
all
the
three
Chintu,
Munna
and
Bhupati
Raja's
step
brother
decide
to
sell
off
the
property
and
share
the
booty.
At
this
juncture,
Bhupati
Raja
regains
his
knowledge
and
recovers
from
amnesia
rushes
to
the
house.
When
his
step-brother
attempts
murder,
Bhupati
Raja
reveals
that
he
has
come
to
give
the
property
to
him.
So
the
film
ends
on
a
happy
note.
PLUS:
The
only
plus
point
in
the
film
is
the
glamour
of
Farzana.
As
usual
she
is
quite
liberal
in
exposure
of
her
beauties.
The
cinematographer
has
tried
his
best
to
portray
her
beauty
on
the
screen,
especially
during
the
songs.
Comedy
by
Kota
Srinivasa
Rao,
MS
Narayana
and
Raghubabu
is
just
okay.
Venumadhav
and
Ali
have
given
their
best
of
performance
in
the
film.
Yashwant,
though
this
is
his
second
or
third
film,
still
have
to
learn
a
lot
and
shed
a
lot
of
weight.
The
director
tries
his
best
to
expose
how
the
gullible
artistes
get
cheated
by
people
in
the
film
industry.
MINUS:
As
the
title
rightly
suggests,
the
movement
of
the
story
is
quite
haphazard.
Though
there
is
a
hero
and
heroine
there
is
no
prominence
for
them,
as
the
entire
story
revolves
around
three
characters,
Ali,
Venumadhav
and
Kota
Srinivasa
Rao
(in
dual
roles).
Comedy
by
other
artistes
including
seniors
like
Brahmanandam,
Krishna
Bhagawan,
Costumes
Krishna,
Ram
Jagan,
Uttej,
Harshavardhan
have
failed
to
tickle
the
funny
bone.
With
no
gripping
story
and
awful
screenplay,
the
audiences
will
not
understand
what
is
happening
on
the
screen
and
who
is
the
real
hero
in
the
film.
Neither
the
songs,
nor
its
tunes
are
melodious,
but
are
literally
used
to
attract
the
mass
audiences
with
the
heroine's
exposure
of
glamour.
Even
the
voice
dubbed
to
her
is
very
dramatic
and
has
no
depth
in
it.
The
director
could
not
establish
some
characters.
The
climax
is
further
atrocious,
as
the
director
made
the
audiences
fools
by
enacting
a
bank
robbery
drama.
REMARKS:
It
is
once
again
proved
that
bringing
out
a
film
totally
based
on
comedy
is
not
that
easy
and
one
need
good
time
sense
and
comedy
timing
to
tickle
the
funny
bone.
Mere
experience
in
films
would
also
not
fetch
knowledge
and
the
director
cum
producer
have
failed
to
catch
the
pulse
of
audiences.
Cast:
Yashwant,
Farjana,
Ali,
Venumadhav,
Kota
Srinivasa
Rao,
Brahmanandam,
MS
Narayana,
AVS,
Raghubabu,
Krishna
Bhagawan,
Jeeva,
Costumes
Krishna,
M
Balaiah,
Gundu
Hanumantha
Rao,
Ram
Jagan,
Uttej,
Prabhakar,
Harshavardhan,
Chitram
Sreenu
and
others
Credits:
Story
and
dialogues
–
Satyanand,
Music
–
Vandemataram
Srinivas,
Camera
–
B
Lokeswara
Rao,
Fights
–
Ram
Laxman,
Art
–
Mohan
Talluri,
editing
–
V
Nagireddy,
Direction
and
production
–
K
Vasu.
Banner:
Gayatri
Arts
Released
on:
August
8,
2008