Ananda Thandavam – Review
Another speciality of the film is that the film is based on a novel (Pirivom Sandippom) penned by Sujata. AR Gandhi Krishna, a protege of Shankar has directed the movie.
Madhumita
(Tamanna)
is
an
innocent
girl,
behaves
like
a
child
though
she
has
grown
up.
She
never
takes
a
decision
and
because
of
her
innocence,
she
is
ready
to
do
anything
what
others
suggest
her.
Moreover,
she
gives
lot
of
importance
to
her
parents" words.
Her
father
is
a
wealthy
Chief
Engineer.
Raghupati
(Siddhartha)
completes
his
engineering
course
and
is
in
search
of
jobs.
Noticing
his
capabilities
Madhu"s
father
decides
to
get
his
daughter
married
to
Raghu.
He
uses
his
influence
and
gets
him
a
job
too.
After
a
few
days,
Raghu
returns
to
his
place
as
the
marriage
date
is
nearing.
Shockingly,
Raghu
finds
that
Madhu"s
father
has
fixed
her
marriage
with
another
US
based
boy,
Radhakrishna
(Rishi),
thinking
that
he
would
be
a
better
choice.
Unable
to
digest
this
fact,
Raghu
attempts
suicide.
However,
Madhu"s
car
driver
saves
him
and
Raghu"s
father
tells
him
that
death
is
not
an
answer.
An
intelligent
person
would
teach
a
lesson
to
others
that
he
too
could
reach
heights
and
sends
him
to
the
US
for
higher
studies.
In
the
US,
Raghu
stays
with
his
father"s
childhood
friend
and
befriends
a
girl,
Aruna
(Rukmini),
who
knows
everything
about
Raghu.
However,
Madhu
also
stays
in
the
same
place
and
meets
Raghu.
She
behaves
friendly
with
Raghu
as
usual,
though
she
has
got
married
to
Radhakrishna.
Aruna does not like this, but maintains her cool. Aruna proposes to Raghu and she pleases Raghu by arranging a video conference with his father.
At this juncture, Raghu finds that Radhakrishna is a womaniser and tries to convey this to Madhu. But the latter refuses his version and tells him that she has complete confidence in her husband. With the elders" permission, Aruna fixes the engagement. On the day of engagement Madhu comes to the venue after taking liquor heavily. She pleads with Raghu to marry her as she has realised that her husband is a womaniser. She tells Raghu that her husband has been harassing her physically. However, Aruna takes away Raghu for the engagement. With no chance of returning to her old lover, Madhu injures herself. She drives her car in an inebriated condition and dies in an accident.
PLUS:
As
far
as
performance
is
concerned,
Tamanna
has
done
her
best.
She
is
perfect
in
maintaining
an
innocent
face,
with
a
lovely
smile
on
her
face.
However,
she
acts
a
little
over-smart
in
certain
scenes.
Siddhartha
is
also
okay
in
his
role,
but
he
needs
to
improve
his
body
language.
He
too
appears
innocent
in
certain
scenes,
Rishi
plays
a
negative
role
and
has
very
little
scope
to
perform
but
for
a
couple
of
scenes.
The
major
plus
point
of
the
film
is
the
cinematography.
Jeeva
Shankar
has
done
a
perfect
job
right
from
the
beginning
till
the
end.
He
has
captured
the
scenic
beauty
like
the
waterfalls
and
greenery
with
his
camera
eye
in
the
first
half
and
has
maintained
the
same
proficiency
in
glorifying
the
beauty
of
foreign
locales
with
his
camera.
MINUS:
The
basic
drawback
of
the
film
is
that
the
director
has
failed
to
portray
the
novel
perfectly
on
the
celluloid.
Especially,
the
makeover
scenes
are
like
frog-jumps.
Poorly
written
screenplay
could
be
the
reason
behind
the
abrupt
changes
in
the
scenes.
Moreover,
the
editor
should
be
blamed
for
not
joining
the
scenes.
Had
he
concentrated
a
little
more,
the
film
would
have
been
a
little
better.
Choreography
is
also
average.
But
for
the
song
with
Rukmini,
none
of
the
other
songs
are
good
to
watch.
GV
Prakash"s
music
is
also
not
very
melodious
and
remains
average.
REMARKS:
The
storyline
chosen
by
the
director
and
producer
is
very
interesting.
They
have
tried
to
give
a
message
to
the
present
generation
youth
and
their
parents
that
giving
away
daughters
to
the
boys
living
in
abroad
is
foolish.
Looking
for
a
better
choice
is
not
wrong
but
one
should
not
do
it
with
over-enthusiasm
that
their
daughter
would
live
a
posh
life
by
staying
abroad.
Love
is
something
like
a
pious
affair
and
trying
to
separate
lovers
just
with
an
expectation
to
give
a
better
life
is
dangerous.
However,
the
director
has
failed
to
convey
this
message
properly
to
the
audiences.
Cast: Tamanna, Siddhartha, Rishi, Rukmini and others.
Credits: Story – Sujata, Dialogues – Sashank Vennelakanti, Lyrics – Suddala Ashok Teja, Bhuvanachandra and Vanamali, Music – GV Prakash Kumar, Cinematography – Jeeva Shankar, Art – Thota Tarani, Co-producer – D Suresh, Presents – SVR Media, Producer – V Ravichandran, Screenplay and direction – AR Gandhi Krishna.
Banner: Aascar Films International