Krishnavamsi
has
earned
name
as
a
creative
director
with
Ninne
Pelladatha,
Murari
and
Chandamama.
In
a
bid
to
entertain
the
audiences
he
has
chosen
to
do
a
remake
of
the
Hindi
movie
Jab
We
Met.
However,
he
has
not
maintained
his
magic
throughout
the
film.
A
landlord
(Ahuti
Prasad)
in
Konaseema
arrangeshis
daughter
Sasirekha's
(Genelia)
marriage
against
her
wishes
with
an
NRI
boy
Abhimanyu
(Tarun).
She
wanted
to
know
her
fiance
before
marriage.
Sasi's
father
pays
huge
dowry
besides
property
to
Abhi's
father
Gopalakrishna
(Paruchuri
Gopalakrishna),
an
advocate
in
Vijayawada
for
the
marriage.
To
avoid
the
marriage,
she
runs
away
from
her
house
in
the
bride's
attire.
Sasi
accidentally
meets
Abhi,
who
recognizes
her.
So,
Abhi
befriends
her
as
Anand
and
agrees
to
accompany
her
till
she
reaches
Hyderabad.
They
encounter
many
problems
during
their
journey
and
even
lose
the
jewellery
bag
when
Abhi
was
holding
it.
Sasi
insists
that
Abhi
should
recover
the
bag
as
it
was
lost
from
his
hands.
Abhi
uses
his
influence
and
manages
to
get
back
the
bag.
Even
as
they
continue
their
journey
against
all
odds,
Sasi's
father
sends
people
in
search
of
his
daughter.
They
catch
a
lorry
to
Hyderabad
and
incidentally
come
across
a
group
of
agitators
who
have
been
fighting
against
price
rise.
Sasi
gets
injured
when
the
agitation
turns
violent
and
police
resorts
to
lathi
charge.
Sasi
proclaims
her
love
and
wish
to
marry
Abhi
when
they
are
on
their
way
to
the
hospital.
Eventually
Sasi
realizes
that
her
marriage
was
fixed
with
none
other
Abhi
and
so
the
film
ends
on
a
happy
note
with
the
marriage
of
Abhi
and
Sasi.
PLUS:
Director
Krishnavamsi
started
cooking
a
dish
in
a
perfect
manner.
However,
he
spoiled
the
dish
by
making
an
experiment
while
putting
unnecessary
twists.
While
knitting
a
beautiful
design,
he
changed
the
course
and
finally
it
turned
out
to
be
a
cobweb
and
he
could
not
wriggle
out
the
cobweb
properly.
As
far
as
performance,
Genelia
did
a
nice
job.
Though
she
appeared
that
she
is
still
in
the
'Bommarillu'
trance
as
she
continued
the
innocent
face
in
many
scenes
and
her
dialogue
delivery,
histrionics
reminded
the
audiences
of
Hasini
again.
Tarun
once
again
proved
that
is
a
seasoned
artiste,
as
he
faced
the
camera
as
a
child
artiste
and
rose
to
the
level
of
hero.
However,
the
director
seemed
to
have
fixed
his
mind
to
cash
in
on
the
success
ratio
of
Genelia
rather
than
the
successive
flops
of
Tarun.
More
footage
was
given
only
to
the
heroine
than
the
hero.
The
first
one
hour
of
the
film
is
a
highlight
as
the
director
maintained
considerable
pace
in
his
regular
style.
MINUS:
Unfortunately,
one
can
find
several
lapses
in
Krishnavamsi's
direction.
How
can
a
girl
who
is
pursuing
her
graduation
come
out
in
a
bride's
attire
despite
knowing
the
fact
that
there
are
several
thieves
who
can
steal
the
jewellery.
Moreover,
any
influential
person
can
easily
catch
hold
of
a
girl
in
few
hours
especially
while
escaping
from
a
tiny
coastal
village.
The
girl
starts
from
Konaseema
and
reaches
Vijayawada
first
and
from
there
again
goes
towards
Nagarjuna
Sagar
and
then
makes
her
way
towards
Hyderabad
which
is
really
a
cumbersome
route.
Moreover,
all
the
character
sound
loud,
but
none
of
them
are
noteworthy.
Either
the
cinematographer
or
the
art
director
or
the
director
could
have
made
use
of
the
green
fields
of
Konaseema.
REMARKS:
Had
the
director
not
deviated
from
his
natural
course,
the
film
would
have
been
good.
The
over
enthusiasm
of
Krishnavamsi
could
be
noticed
from
the
unparliamentary
and
indecent
(vulgar)
dialogues
written
for
Ahuti
Prasad
and
at
times
for
Genelia.
It
appears
a
little
sadistic
in
nature.
Moreover,
the
dialogues
used
to
slam
the
hero's
father
by
the
heroine
especially
in
front
of
the
hero
is
unbecoming.
Because
of
all
these
drawbacks,
the
fantastic
tunes
scored
by
Manisharma
have
gone
unnoticed.
Though
the
climax
song
is
very
melodious
it
has
really
killed
the
film.
The
movie
ends
with
the
song
leaving
the
audiences
wondering
why
Krishnavamsi
ended
with
a
song
when
hey
were
eagerly
waiting
for
another
climax.
Cast:
Tarun
and
Genelia,
Ahuti
Prasad,
Paruchuri
Gopalakrishna,
Raghubabu,
Subbaraju,
Sivajiraja,
Suttivelu,
Abhishek,
Giri,
MS
Narayana,
Anant,
Tulasi,
Sanjana,
Surekhavani
and
others
Credits:
Dialogues
–
Royal
Nagaraju,
Lyrics
–
Sirivennala
Sitarama
Sastry
and
Ananta
Sriram,
Music
–
Manisharma,
Camera
–
Bhaskar
Samala,
Action
–
Ganesh,
Editing
–
Shankar,
Art
–
Satyanarayana,
Choreography
–
Bhaskar,
Vishnu,
Deva
and
Shanti,
while
Executive
producer
–
Tammudu
Satyam,
Producer
–
Sunkara
Madhumuarli,
Story,
screenplay
and
direction
–
Krishnavamsi.
Banner:
Karthikeya
Creations