You
might
have
seen
a
poster
or
a
hoarding
with
an
old
man
with
old
model
spectacles
standing
alone
among
the
beautiful
posters
with
dazzling
and
sizzling
heroines.
He
is
none
other
than
Rajendra
Prasad,
who
was
once
a
comedy
hero
and
now
standing
in
a
serious
posture.
After
getting
fame
with
films
like
Aa
Naluguru
and
Mee
Sreyobhilashi,
he
has
chosen
a
serious
character
for
latest
film
Onamalu,
which
is
a
beautiful
film
with
a
perfect
tag-line
‘Manchi
Gnapakalamlanti
Cinema'.
Narayanarao
Master
(Rajendra
Prasad)
is
unable
to
adjust
with
his
children,
who
were
doing
jobs
in
US.
Fed
up
with
American
culture,
he
decides
to
return
to
his
village.
The
film
starts
with
the
flight
reaching
India.
From
there
he
engages
a
cab
to
his
village
and
recollects
his
sweet
memories
in
that
village
with
the
cab
driver.
The
entire
part
before
the
interval
bang
is
passed
on
with
the
recollection
alone.
In
this
process,
he
meets
some
of
his
old
students
on
his
way.
However,
he
realises
how
the
entire
world
changed
including
India
with
people
following
western
culture
and
here
too
people
have
changed
their
mentalities
including
his
students.
How
he
makes
efforts
to
enlighten
people
will
form
the
crux
of
the
film.
Performance:
Rajendra
Prasad
has
done
his
role
with
ease
as
he
did
an
aged
man's
role
in
Aa
Naluguru
and
Mee
Sreyobhilashi.
As
his
wife,
Kalyani
has
done
her
job
very
honestly.
They
make
a
very
fair
pair.
Chalapati
Rao,
Siva
Parvati,
Raghubabu
and
others
have
also
delivered
a
justifiable
performance
for
their
respective
roles.
Technical:
It
is
the
cinematographer
Hari
Anumolu,
who
runs
the
entire
story.
An
actor
only
can
perform,
but
it
is
the
cinematographer,
who
had
to
give
the
necessary
effect
in
his
surroundings
and
provide
perfect
light
effect.
Hari
has
done
it
really
very
well.
Gauthamraju's
editing
is
commendable.
Koti's
music
too
is
adequate
and
his
background
score
surely
elevates
certain
scenes.
Writer
Khadir
has
penned
fantastic
dialogues,
which
are
jovial
and
make
us
realise
the
life.
Tammudu
Satyam
has
penned
a
perfect
story
based
on
the
memories
of
a
school
teacher,
while
Sirivennela
gave
good
situation
oriented
songs
to
the
film.
Director
Kranti
Madhav
has
patiently
written
the
screenplay
because
the
story
of
the
film
is
a
series
of
events
and
piling
up
all
of
them
in
a
perfect
way.
It
is
the
screenplay,
which
plays
a
major
role.
Kranti
Madhav,
though
a
novice,
has
done
a
complete
justice
to
the
film.
Remarks:
It
is
a
nice
recollection
of
events
and
each
individual
will
connect
at
least
to
one
of
the
scenes
in
the
film.
As
the
tagline
suggests,
it
is
like
a
good
remembrance.