Dialogue
King
Manchu
Mohan
Babu
returns
to
the
silver
screen
after
a
brief
gap,
with
Gayatri.
This
movie
also
marks
the
on-screen
combination
of
the
real
life
father-son
duo,
Mohan
Babu
and
Manchu
Vishnu.
Story
Dasari
Sivaji
(Mohan
Babu)
is
a
stage
artist
by
profession
and
a
do-gooder
as
a
person.
He
runs
Sarada
Sadan
to
help
destitute
children
and
involves
himself
in
social
service
activities.
In
a
certain
situation,
Sivaji
rescues
a
girl
who
happens
to
be
his
daughter.
He
then
realizes
that
he
was
separated
from
his
daughter,
who
then
sets
himself
out
to
seek
revenge
on
the
culprits.
Upside
&
Downside
Upside
Mohan
Babu's
Stellar
Performance
Few
Dialogues
Downside
Mediocre
Screenplay
Treatment
Slow
Narrative
1990's
Story
Performances
-
Mohan
Babu
Manchu
Mohan
Babu
once
again
proves
as
to
why
he
is
referred
as
the
Dialogue
King
of
Tollywood.
His
delivery,
expressions
and
performance
marks
authority
on
the
legendary
actor's
acting
skills
and
supremacy.
His
negative
shade
characterization
grabs
the
attention
of
the
audience.
Manchu
Vishnu
is
good
in
his
limited
role
while
Shriya
Saran
adds
one
additional
name
to
the
star
cast
without
adding
huge
value
quotient
to
the
movie.
Performances
from
Kota
Srinivas
Rao,
Tanikella
Bharani,
Brahmanandam
and
Ali
give
a
little
extra
push
to
the
movie.
Technical
Aspects
Gayatri
is
a
simple
movie
with
a
decent
level
of
production
value.
S
Thaman's
fails
to
impress
with
his
songs
and
background
music
as
they
do
not
seem
to
gel
well
with
the
movie.
The
cinematography
work
from
Sarvesh
Murari
is
on
the
brighter
side.
The
dialogues
don't
quite
engage
the
audience
and
the
screenplay
falls
flat
and
eventually
the
movie
gets
way
too
predictable.
As
the
sequences
unfold,
the
movie
starts
testing
the
patience
level
of
audience.