Story
There
is
really
nothing
much
to
discuss
about
the
storyline
as
it's
a
transparent
and
faithful
biopic
on
the
yesteryear
legendary
actress
and
the
plot
is
known
to
the
audiences
beforehand.
Mahanati
starts
with
a
suicide
attempt
by
Savitri
(Keerthi
Suresh)
who
slips
into
a
coma.
Madhuravani
(Samantha)
and
Vijay
Anthony
(Vijay
Deverkonda),
journalists
at
Prajavani
daily,
gets
on
to
the
job
of
covering
the
life
story
of
Savitri.
Flashback
portion
begins!
Savitri's
initial
entry
into
the
industry,
rise
to
stardom-superstardom,
her
midlife
struggles
and
eventually,
her
downfall
in
both
personal
and
professional
lives.
All
these
bits
are
packaged
in
a
superior
product
called
Savitri.
Upside
&
Downside
Upside
Keerthi
Suresh's
stellar
performance
Performances
by
all
leading
cast
Make-over
by
the
styling
artist
Screen
treatment
Downside
Run-time
(not
a
major
concern)
Minor
glitches
here
and
there
(can
be
ignored)
Performances
Post
watching
the
drama,
one
would
be
under
the
impression
that
there
could
have
been
no
other
better
actor
apart
from
Keerthi
Suresh,
to
play
Savitri
on-screen.
She
looks
perfect,
her
expressions
and
body
language
are
immaculate
to
such
an
extent
that
the
audiences
would
laugh,
cry,
fall
in
love
and
express
all
sorts
of
possible
emotions
while
watching
her
perform.
Indeed,
she
has
lived
as
the
character.
Vijay
Deverakonda
and
Samantha
share
the
maximum
screen
space
as
a
couple
than
anyone
in
the
movie
and
have
rendered
their
best.
Samantha's
performance
during
the
fag
end
of
the
flick
renders
a
perfect
finish.
Dulquer
Salmaan,
as
Gemini
Ganesan,
is
fantastic
as
an
actor
and
it
requires
guts
to
portray
a
character
with
a
thin
line
of
grey
shade.
Especially
for
the
fact
that
DQ
is
an
already
established
star
in
the
industry.
A
good
debut
for
the
Malayalam
heartthrob
in
the
Telugu
Cinema.
Director
Krish
Jagarlamudi,
who
has
played
KV
Reddy
on-screen
is
convincing
while
legendary
actor,
Manchu
Mohan
Babu
as
the
great
SV
Ranga
Rao
is
fabulous.
His
makeover,
diction
and
performance
reminds
the
audiences,
especially
the
older
generation,
of
the
latter
actor.
It
is
indeed
a
delight
to
watch
Akkineni
Naga
Chaitanya
reprising
the
role
of
his
star
grandfather,
Akkineni
Nageswar
Rao,
for
a
small
bit.
Technical
Aspects
The
art
department
commands
a
huge
round
of
applause
and
appreciation
for
their
terrific
and
near-to-perfect
recreation
of
sets
ranging
from
1940s,
50s
and
60s.
Mahanati
takes
audience
to
said
eras
and
thanks
to
the
said
unit
for
the
recreation.
Cinematography
by
Dani
is
yet
another
highlight
as
the
colour
grading
has
been
rendered
in
the
most
exceptional
manner,
since
the
movie
runs
in
different
periods.
Being
a
non-Indian,
it
would
have
indeed
been
quite
a
task
to
communicate
and
coordinate
with
the
work,
but
it's
his
passion
and
dedication
which
has
resulted
in
the
superior
output.
The
make-up
artist/team
deserves
a
special
mention
for
turning
the
present
generation
actors
to
almost
yesteryear
actors.
These
makeovers
along
with
the
actors' performances
have
just
travelled
hand-in-hand
in
the
flick
and
stands
as
one
of
major
takeaways.
Vyjayanthi
Movies
have
splurged
quite
some
money
on
this
visual
extravaganza
and
probably
were
in
no
mood
for
compromise,
which
has
resulted
in
a
superior
product.
It
is
director
Nag
Ashwin,
who
walks
out
with
major
honours
along
with
Keerthi
Suresh.
His
vision,
screen
writing
and
treatment
have
been
flawless.
It
so
appears
that
Nag
has
not
just
collected
the
artefacts
from
various
sources
for
the
execution
of
the
movie,
but
instead
has
time-travelled
to
the
said
era
and
lived
with
all
the
characters
to
make
this
biopic.
Such
is
the
output
level
which
stands
as
a
testimonial
to
Nag
Ashwin's
work.