Story
Fifteen
years
ago
the
one-man-army
theme
used
to
be
much
in
vogue.
By
recreating
the
'expected'
experience
from
the
past
Shiva
comes
up
with
a
reasonably
unexpected
thrill
of
what
used
to
be
the
expected
not
so
long
ago.
Upside
This
police
story
has
plenty
of
force,
most
of
it
generated
from
the
way
Varma
cuts
the
old-as-the-hills
material
into
a
newly-
rejuvenated
shape.
The
editing
(Nipun
Gupta
and
Amit
Parmar)
is
first...rather,
fist-rate.
Sound
of
slapping
cheeks
and
cracking
bones
rent
the
soundtrack
creating
a
reverberating
sensation
of
retaliatory
violence
meant
to
combat
malignant
violence.
The
action
is
swiftly
and
smoothly
vindictive.
The
one-man-show-off
idea
gets
its
definition
mainly
from
the
fist.
Interestingly
you
seldom
see
Shiva
combating
evil
with
the
gun.
Bare
hands
are
used
to
slap
his
adversaries
to
a
groveling
mass
of
terror...that's
the
way
it
works.
The
performers
include
Ramu's
usual
suspects
like
Zakir
Husain
(Corrupt
Cop)
and
Shereveer
Vakil
(Ruthless
Goon).
Dilip
Prabhavalkar
lately
a
hit
as
Gandhiji
in
Lage
Raho
Munnabhai
will
shock
you
as
a
corrupt
Home
Minister.
Actors
often
do
that.
They
change
characters.
Flipside
The
quieter
moments
shared
with
the
journalist-girlfriend
Sandhya
(Nisha
Kothari,
lips
full
of
quivering
indignation)
are
relatively
less
effective.
Each
time
the
courtship
happens
you
wait
with
an
indulgent
smile
to
let
the
high-octane
action
begin.
The
encounters
with
the
main
Arun
Gawli-inspired
gangster-turned-politician
villain
Bappu
(Upendra
Limaye)
are
all
done-to-bludgeoning
death,
re
revivified
by
Varma's
excellent
command
over
the
language
of
seething
implosive
rage
(seen
earlier
to
great
advantage
in
his
best
works
Satya,
Company
and
Sarkar).
Mohit
Ahlawat
speaks
little,
fights
frequently.
His
forte
is
reticent
retribution.
The
real
heroes
are
the
action
directors
(twin
brothers
Ram
Lakshman
who
also
play
climactic
parts
in
the
film).
The
stunts
are
purely
1980s,
with
loads
of
new-millennium
attitude
thrown
in.
Jha's
judgment
The
real
shocker
is
the
old-fashioned
narrative.
You've
seen
the
cop
doing
his
deadly
justice-act
to
death.
That
doesn't
stop
Ram
Gopal
Varma
for
socking
it
in
our
face
one
more
time.
With
velocity!