The
second
thing
about
him
is
that
he's
got
this
incredible
eye
for
detail.
I
don't
think
its
humanly
possible
the
sort
of
eye
for
detailing
he
has
because
he's
sits
on
this
little
monitor
and
he's
got
his
head
shoved
into
the
monitor
and
since
its
this
monitor
which
is
not
of
great
quality
it's
a
small
little
thing
but
he
can
notice
one
leaf
falling
which
is
50
feet
way
and
I
fail
to
understand
how
that
is
possible
because
with
a
naked
eye
its
not
possible
to
see
half
the
things
he
does.
And
I
think
the
nicest
thing
about
working
with
Dada
as
a
director
is
that
he
approaches
every
scene
rather
the
entire
movie
where
he
does
not
try
to
over
awe
you
with
the
technicalities
of
cinema.
He
just
tries
to
tell
you
a
simple
story
which
has
a
soul
and
he
goes
about
it
in
a
very
honest
and
simple
sort
of
way,
almost
an
innocent
childish
way.
There
is
a
lot
of
emphasis
laid
on
the
relationships
in
the
film.
I
don't
think
there
are
too
many
directors
especially
in
today's
day
who
have
the
ability
to
constantly
tell
a
story
with
simplicity.
I
think
Dada
is
one
of
the
few
people
who
can
do
that
and
I
think
that's
what
makes
him
such
a
good
director.
The
ability
to
be
simple
and
honest
and
be
child
like
innocent
about
the
story
that
he
is
telling
you
that
I
think
is
what
makes
Laaga
Chunri
Mein
Daag-Journey
of
a
woman
special.
What
was
it
like
working
with
Konkona
Sen
Sharma?
Working
with
Konkana
has
two
sides
to
it.
One
is
that
its
great
fun
to
work
with
her
because
she
is
very
easy
to
work
with.
I
loved
working
with
her
and
she
is
a
lot
of
fun
to
have
around.
She
doesn't
come
with
any
excess
baggage.
She's
just
there
to
do
her
job
and
there
is
nothing
more
to
that
and
I
have
an
absolutely
superb
equation
with
her.I
would
love
to
do
more
movies
with
her.
The
dangerous
part
about
working
with
Konkana
is
that
you
come
to
set
and
you
get
your
scene
and
you
have
obviously
rehearsed
your
scene
at
home
and
come
and
then
I
come
to
the
set
and
rehearse
it
like
some
15/20
times,
I
sit
with
the
director
and
discuss
what
I
am
supposed
to
do
and
then
Konkana
walks
into
the
set
and
says
“what
are
we
doing
today" and
then
she
will
take
a
look
at
the
scene
and
read
it
a
couple
of
times
and
then
she
will
go
and
faff
around,
read
a
book,
listen
to
music
and
in
the
meanwhile
I
am
rehearsing,
talking
to
the
director
as
to
how
I
am
supposed
to
approach
the
scene
and
what
I
am
supposed
to
do
and
she
walks
into
the
set
casually
and
she
does
the
scene
and
she
gets
it
right
in
the
first
take
and
she
gives
you
the
most
magical
shot.
And
she
walks
back
and
goes
and
listens
to
her
music
and
you
are
left
there
wondering
what
did
I
do
wrong
in
life
not
to
deserve
that
sort
of
genetic
quality
where
you
just
saunter
on
to
the
set
and
you
read
the
scene
once
and
you
just
get
it
wrong.
So
it
can
get
very
demoralizing
as
a
co-actor
to
work
with
her
but
I
have
sort
of
got
used
to
her.
The
other
good
thing
about
Konkana
is
that
she
gets
really
good
food
from
home.
It's
always
a
pleasure
working
with
her.
How
was
the
experience
of
shooting
with
an
entire
Bengali
cast
and
crew?
It
made
me
feel
like
a
Punjabi
shooting
a
film
in
Calcutta.
It
was
like
shooting
for
a
Bengali
film
in
Calcutta
because
you
walk
into
the
set
the
actress,
director,
set
designer
all
are
Bengali
and
they
all
talk
in
Bengali.
So
after
a
point
you
start
feeling
that
they
are
making
fun
of
you
because
everybody
is
on
their
own
trip.
Its
almost
like
being
in
an
alien
land.
Its
like
a
Maharashtrian
doing
a
Telugu
film
or
like
a
Punjabi
doing
a
Bengali
film
but
again
the
very
good
part
of
working
in
a
Bengali
set
up
is
that
you
get
damn
good
food.
So
I
think
that
was
the
compensation
for
having
everybody
being
Bengali
on
the
set.
I
am
not
complaining.
I
am
ready
for
yet
another
Bengali
film.
What
was
it
like
working
with
Rani
Mukherji?
Rani
I
am
going
to
be
very
grateful
to.
Firstly,
I
will
remember
this
movie
forever
because
it's
the
first
time
that
I
have
done
a
Bollywood
Hindi
movie
song
which
involves
dancing
and
singing
and
I
was
petrified
because
I
not
only
have
two
left
feet
but
have
four
left
feet.
I
not
only
crush
my
co-star's
toes
but
I
crush
my
own
toes
while
dancing
so
I
am
really
bad
at
it
and
Rani
is
exceptional.
I
think
after
Madhuri
Dixit
if
there
is
anybody
that
can
really
dance
and
hold
your
attention,
its
Rani
and
she
was
kind
enough
to
help
me
while
this
song
was
going
on
and
I
think
I
have
managed
fairly
well
with
her
help
because
I
crushed
Konkana's
toes
only
once
throughout
the
song.
It
was
really
nice
of
her.
She
helped
me
through
a
lot
of
steps.
What
was
like
working
with
Jaya
Bachchan?
For
me
Jaya
Bachchan
is
very
special
because
I
have
been
a
very
big
fan
of
hers
for
a
really
long
time.
And
to
share
screen
space
with
her
obviously
is
very
special.
The
nicest
thing
about
working
with
Jayaji
is
that
she
gets
really
exceptional
food
and
she
gets
food
enough
for
10
people
and
she
fed
us
really
well.
Those
days
of
shooting
with
Jayaji
were
fantastic
because
you
really
look
forward
to
your
lunch.
As
soon
as
you
hear
lunch
everybody
is
in
her
room
and
she
would
have
this
huge
spread
which
was
well
laid
and
its
fantastic
working
with
her.
What
was
it
like
working
with
Abhishek?
Abhishek
I
have
known
for
really
really
long
but
this
is
the
first
time
I
have
worked
with
him
He
is
completely
insane.
He
is
out
of
control,
mad
and
lots
of
fun,
always
up
to
mischief
and
pranks
and
the
things
that
he
does
exceptionally
well
which
I
am
really
grateful
to
him
for
is
that
I
was
really
nervous
doing
this
song
but
Abhishek
makes
the
environment
on
the
sets
so
light
hearted
and
so
much
fun
to
be
around
that
after
a
point
I
actually
started
enjoying
doing
the
song.
It
was
after
the
song
was
over
that
I
realized
it
was
done
only
because
he
was
around.
He
just
comes
to
the
set
and
has
so
much
fun
he
doesn't
look
at
work
as
stress
or
pressure
and
because
he
is
having
fun
and
doing
such
a
good
job,
it's
infectious
and
it
eventually
takes
over
the
entire
unit.
I
am
glad
that
the
first
song
that
I
did
was
with
Abhishek
because
doing
it
with
him
just
became
lots
of
fun.
What
was
your
shooting
experience
like
in
Switzerland?
The
thing
with
Switzerland
is
that
you
grow
up
co-relating
Yash
Raj
and
Switzerland
and
it
all
becomes
a
legend
in
your
head
because
you
look
at
Switzerland
and
you
think
of
Yash
Raj
and
you
think
of
all
those
fabulous
movies
which
have
been
shot
there.
You
think
of
all
those
big
actors
who
have
been
a
part
of
the
dancing
on
the
mountains
and
singing
on
the
streets
of
Switzerland.
So
I
think
I
am
very
fortunate
that
in
my
lifetime
I
have
got
to
be
a
part
of
the
legend
and
if
nothing
else
I
can
look
back
and
say
I
was
part
of
a
Yash
Raj
film
which
was
shot
in
Switzerland
and
I
was
there
in
it.
Which
is
your
favourite
outfit
in
the
film?
Well
lots
of
those
outfits
I
wear
off
screen
because
some
of
the
clothes
that
I
have
worn
in
the
film
are
a
part
of
my
own
wardrobe.
Vivaan's
character
is
one
which
doesn't
care
about
what
he
wears,
how
he
wears
it
and
whether
it's
coordinated
or
not
and
more
often
it's
messy
and
laid
back.
So,
most
of
the
clothes
that
Vivaan
wears
are
mine.
Any
one
memorable
incident
during
the
shooting
of
the
film
that
comes
to
mind?
Here
was
this
song
which
we
were
shooting
that
had
me
and
Konkana
in
it
and
Dada
was
in
a
panicky
mood.
The
scene
had
me
and
Konkana
in
the
boat
and
dada
in
the
other
boat
in
front
of
us
with
his
camera
set
up
there
and
the
guy
who
was
riding
our
boat
was
Italian.
He
couldn't
speak
in
English
and
Dada
kept
trying
to
speak
to
him
in
English,
Hindi,
Bengali
everything
that
he
could
get
out
of
himself.
And
it
obviously
didn't
have
any
effect
and
in
the
meanwhile
there
was
a
translator
in
between
so
Dada
was
screaming
at
him
in
Hindi
and
Bengali
and
on
the
other
hand
the
translator
was
trying
to
communicate
the
same
to
the
boat
rider
and
he
was
panicking
as
well.
So,
there
were
moments
when
Dada
was
saying
come
on
and
the
boat
rider
is
trying
to
get
the
boat
in
control
because
the
boat
in
front
was
leaving
these
waves
so
our
boat
was
kind
of
unsteady
and
he
went
and
banged
the
boat
in
front.
It
was
a
lot
of
chaos
and
madness
happening
at
the
same
time
with
the
translator
trying
to
translate
to
the
Italian
boat
rider
and
Dada
trying
to
explain
things
with
me
and
Konkana
nearly
falling
out
of
the
boat.