If
you
are
a
Mammootty
fan,
you
will
surely
enjoy
Mammootty's
latest
venture
Maya
Bazaar
by
debutant
director
Thomas
Sebastian.
The
film
moves
with
some
interesting
twists
and
turns
especially
during
the
first
half,
but
fails
to
reach
anywhere
and
has
nothing
new
or
novel
to
offer.
Maya
Bazaar
is
the
name
of
a
street
where
spare
parts
of
condemned
vehicles
are
sold.
Rameshan
(Mammootty),
son
of
typical
Akri
Damodharan
(Rajan
P.
Dev,
who
occasionally
steals
money
from
his
son
and
sets
out
on
pilgrimages)
is
a
highly
virtuous
man,
a
good
Samaritan
who
provides
lunch
packets
to
the
ailing
patients
in
a
nearby
hospital.
In
fact,
Rameshan
is
not
a
typical
scrap
dealer,
who
buys
old
vehicles,
dismantles
them
and
sells
the
parts.
A
lovable
and
fearless
guy,
he
is
an
elegant,
well-dressed
young
man
sporting
a
funky
hairstyle,
silver
earrings
and
wears
stylish
short
shirts.
He
is
adored
by
the
charming
Maya
(Tamil
actress
Sheela
now
named
Maya).
But
being
a
practical
man,
Rameshan
does
not
pay
any
heed
to
her
allure.
Rameshan
often
has
to
deal
with
a
rival
gang
lead
by
Bhadran
(Kalabhavan
Mani),
who
deals
with
stolen
vehicles
and
has
an
eye
on
Maya,
her
hand
and
her
land.
The
entire
first
half
has
Rameshan
and
Bhadran
taking
on
each
other
regularly,
mainly
over
pretty
Maya.
Bhadran
is
desperate
to
get
her,
but
she
is
completely
smitten
by
Rameshan's
charm.
Several
verbal
and
physical
fights
between
Rameshan
and
Bhadran
follow,
after
which
the
story
takes
an
abrupt
turn
after
the
intermission
and
ends
up
nowhere.
Mammootty,
who
has
portrayed
some
of
the
best
roles
in
Malayalam,
maintains
his
masculine
charm
all
through
the
movie.
Heroine
Maya
has
nothing
much
to
do.
God
only
knows
why
Tisca
Chopra
accepted
such
an
inconsequential
role
in
Maya
Bazaar,
after
her
stunning
performance
as
Darsheel
Safary's
mom
in
Taare
Zameen
Par.
Rajan
P.
Dev,
Saikumar
and
Lalu
Alex
are
in
their
very
usual
roles;
the
comedy
trio
of
Sooraj
Venjaranmoodu,
Salim
Kumar
and
Biju
Kuttan
fails
to
liven
up
and
even
to
add
any
interest
to
the
proceedings.
In
fact,
this
is
one
of
the
rare
occurrences
in
recent
times
where
Sooraj's
character
is
a
total
letdown.
Coming
to
the
technical
side,
the
main
problem
with
the
film
is
the
basic
plot,
penned
by
T.A.
Razzak,
one
of
the
most
experienced
script
writers
of
our
times.
The
film
suffers
due
to
the
amateurish,
unimaginative
script
and
mediocre
compositions,
while
Manoj
Pillai's
cinematography
and
Prasanth
Madhav's
art
direction
are
the
finest
points
of
the
movie,
making
it
a
glossy,
watchable
affair.
No
doubt,
the
team
behind
the
film
wracked
their
collective
brains
to
bring
something
really
interesting
towards
the
end
of
the
film.
But
disappointingly,
they
fail
to
capitalize
on
it
and
rush
towards
the
climax
in
a
moment.
Anyway,
the
movie
is
enough
for
Mammootty
fans
to
cheer,
clap
and
hoot
about;
punch
lines,
comedy
and
their
hero
shaking
a
leg
in
couple
of
songs
should
make
them
cheer.
Banner:
Akhil
Cinema
Producer:
Saji
Mangalath
Cast:
Mammootty,
Tisca
Chopra,
Maya,
Kalabhavan
Mani,
Rajan
P.
Dev.
T.G.
Ravi,
Sooraj
Venjaranmoodu,
Salim
Kumar,
Sabitha
Anand,
Saikumar,
Bijukuttan,
Master
Akhil,
Lalu
Alex,
Yamini
Sharma.
Direction:
Thomas
Sebastian
Music:
Rahulraj