A
poor
movie
from
good
director
Madan,
who
penned
the
story
for
Aa
Naluguru,
turned
director
with
Pellaina
Kothalo.
As
a
story-writer,
he
gave
a
message
on
the
social
responsibility.
He
tried
to
explain
the
value
of
love
and
marriage
through
his
next
film
as
director.
Now,
he
completely
changed
his
attitude
and
brought
out
a
different
love
story.
To
some
extent
he
was
able
to
bring
a
smile
on
the
face
of
Udaykiran,
who
is
in
deep
depression
with
consecutive
flops,
though
the
film
is
not
that
great
when
compared
to
the
earlier
two
films
from
Madan.
Balaraju
(Udaykiran)
hails
from
a
village.
Subba
Reddy
(Ajay),
who
completed
graduation
in
the
village,
wants
to
become
the
sarpanch
of
the
gram
panchayat
and
Balaraju
challenges
that
he
can't
be
the
sarpanch,
as
there
was
a
bad
remark
on
his
character.
But,
Balaraju
can't
contest
for
the
seat
as
he
doesn't
possess
a
degree,
as
per
the
ruling
adopted
by
the
village-heads.
So
the
entire
village
advises
him
to
complete
his
graduation
and
become
a
sarpanch.
Just
before
the
tussle
between
Balaraju
and
Subba
Reddy,
the
latter
attempts
to
kidnap
Neelima
(Aditi
Sarma)
and
Balaraju
saves
her.
But
both
Balaraju
and
Neelima
did
not
face
each
other.
The
only
identification
for
Neelima
is
a
tattoo
on
the
shoulder
of
Balaraju.
After
this
incident,
Balaraju
goes
to
Hyderabad
and
take
up
BA
course.
All
the
students
instead
of
being
sympathetic
towards
Balaraju
try
to
tease
him.
But
Neelima
gives
him
the
moral
support
and
they
become
good
friends.
In
fact,
Neelima's
sister
Kalpana
elopes
with
some
one
after
falling
in
love.
To
avoid
such
embarrassment
in
her
life,
Neelima
creates
a
lover
for
herself
and
calls
him
Rajesh.
She
used
to
tell
everyone
that
Rajesh
was
her
boyfriend.
When
Balaraju
tries
to
propose
to
Neelima,
she
plays
the
same
trick
to
him
too.
Likewise
Balaraju
too
creates
a
fictitious
love
for
himself
and
tells
Neelima
that
he
was
in
love
with
another
girl.
Meanwhile,
a
senior
tries
to
tease
Neelima
and
Balaraju
thrashes
him.
At
that
time,
Neelima
realises
that
it
was
he
who
saved
her
from
kidnap
and
loses
her
heart
to
him.
In
order
to
win
his
heart,
she
tells
Balaraju
that
she
had
differences
with
Rajesh
and
decides
to
forget
him.
Balaraju
too
plays
the
same
trick
to
Neelima
that
he
wanted
to
keep
off
his
girl
friend.
Both
of
them
realise
that
the
other
created
fictitious
person.
At
this
juncture,
Subba
Reddy
comes
into
the
picture
and
brings
in
one
person
called
Rajesh
and
creates
differences
between
Neelima
and
her
family
and
also
between
Neelima
and
Balaraju.
But
in
the
climax,
Balaraju
bashes
Subba
Reddy
and
the
film
ends
on
a
happy
note
with
the
union
of
Balaraju
and
Neelima.
PLUS:
The
first
half
of
the
film
was
completely
devoted
to
the
hide
and
seek
game
of
love
between
the
hero
and
heroine
and
is
watchable.
Udaykiran
puts
up
some
weight
and
is
looking
handsome
in
some
scenes.
He
improved
his
performance
and
showed
good
ease
in
action
scenes
and
songs.
Heroine
Aditi
Sarma
had
the
features
of
Keerthi
Reddy
and
at
times
she
had
the
similarities
of
some
other
familiar
heroines.
She
is
also
gave
a
good
performance.
Once
again
Ahuti
Prasad
played
a
typical
father's
role.
Keeravani's
music
is
good
in
parts
and
a
couple
of
songs
are
melodious.
Dialogues
by
Madan,
especially
in
the
scene
where
the
hero
explains
the
greatness
of
BA
degree
course,
are
very
interesting.
MINUS:
Though
an
efficient
director,
Madan
lost
his
grip
on
the
story
completely.
While
the
hero's
aim
and
target
is
to
complete
his
graduation
and
become
a
sarpanch,
he
joins
the
college.
But
the
entire
film
was
woven
on
the
love
thread,
giving
the
actual
aim
of
the
hero
a
goby.
When
the
hero
could
explain
about
the
merits
of
science
and
show
his
intelligence,
why
he
chose
the
BA
course
is
not
known.
Moreover,
it
is
absurd
to
say
that
he
doesn't
know
English.
The
name
board
of
the
college
clearly
says
engineering
college,
but
the
hero
joins
in
BA
class,
which
made
the
director
a
laughing
stock.
Giving
big
dialogues
to
a
child
artiste
is
also
in
very
bad
taste.
The
scene
in
the
film
theatre,
where
the
heroine
covers
her
dupatta
to
the
hero
to
escape
from
a
known
person
is
also
absurd.
REMARKS:
The
audiences
who
go
to
the
theatre
to
watch
a
film
from
a
director
like
Madan,
would
be
surprised
to
watch
an
atrocious
film.
The
first
half
is
okay
as
there
was
a
mind
game
kind
of
drama
on
love.
But
the
second
half
appears
completely
dragged
with
no
meaningful
scene.
The
climax
was
also
stretched
beyond
limits
and
the
audiences
seen
moving
impatiently
in
the
seats.
Banner:
United
Movies
Producer:
Paruchuri
Sivarama
Prasad
Story,
screenplay,
dialogues
and
direction:
Madan
Cast:
Udaykiran,
Aditi
Sarma,
Ajay,
Ahuti
Prasad,
Jayaprakash
Reddy,
Srinivasa
Reddy,
Venumadhav,
Dharmavarapu
Subrahmanyam,
Surekha
Vani,
Vidya
and
Madhumani,
Master
Rhythm
Music:
Keeravani
Lyrics:
Sivashakti
Datta,
Chaitanya
Prasad
Cinematographer:Prabhakar
Reddy
J
Editing:
KV
Krishna
Reddy
Art:
Nagendra
Prasad
Presents:
Paruchuri
Kireeti