Sri
Lakshmi
Prasanna
Pictures
had
a
great
history.
It
has
produced
several
successful
and
great
films.
This
is
the
50th
film
on
the
banner
and
producer
Mohan
Babu
had
given
an
opportunity
to
YVS
Choudary,
who
was
a
successful
director,
though
he
tasted
a
flop
recently
with
Okka
Magadu.
He
prepared
a
love
story
with
a
touch
of
faction
and
mafia.
However,
once
again
the
director
bitten
the
dust
with
insipid
screenplay.
He
largely
depended
on
the
oomph
of
the
heroine,
with
songs
full
of
English
lyrics
ignoring
the
Telugu
flavour
and
cacophony
music.
There
is
a
village
head
called
Singamanaidu
(Napoleon)
and
he
had
enmity
with
his
sister"s
brother-in-law
(Mukhesh
Rushi).
Fearing
attack,
Singamanaidu
keeps
his
daughter
Satya
(Ileana)
away
in
London
and
brings
her
up.
She
returns
after
14
years
and
when
the
enemy"s
men
try
to
kidnap
her,
Munna
Saleem
(Vishnu)
saves
her.
He
wins
over
the
hearts
of
Satya"s
family
members.
Munna
loses
his
heart
to
Satya.
Singamanaidu
looks
for
an
alliance
to
Satya
and
Munna
learns
that
the
bridegroom
(Bharat
Reddy)
and
his
father
(Benarjee)
were
crooks
and
kills
them.
Later,
Singamanaidu
decides
to
marry
Satya
to
Munna
as
he
only
could
look
after
her
welfare.
But
Satya
was
already
in
love
with
Krish
(Venkat)
and
she
utilizes
Munna
as
her
pawn
and
elopes
with
Krish.
In
this
process,
Krish"s
men
shoot
Munna.
Somehow,
Munna
gets
rescued
and
leaves
for
London
in
search
of
Satya.
Hereafter
lies
the
twist
in
the
film.
PLUS:
The
glamour
of
Ileana
and
the
choreography
of
all
the
songs
with
over
exposure
of
the
heroine"s
oomph
to
attract
the
mass
audiences
is
the
only
plus
point
in
the
film.
YVS
Chodary"s
passion
to
imitate
Raghavendra
Rao
in
highlighting
the
heroine"s
glamour
resulted
in
overexposure
and
proved
absurd.
No
doubt,
Vishnu
picked
up
a
lot
and
is
looking
smart
with
a
lean
personality.
Though
he
shed
a
lot
of
weight,
he
continued
to
maintain
some
glow
in
his
face
besides
the
young
charisma.
Dances
are
also
impressive.
But
he
needs
to
improve
his
dialogue
modulation
a
little
further.
Camera
work
by
Ramprasad
is
impressive
as
he
shot
the
chases
and
action
scenes
well.
His
camera
eye
did
not
turn
away
from
the
belly
button
and
waist
of
the
heroine
in
all
the
songs.
MINUS:
The
poor
and
unimpressive
narration
tested
the
patience
of
the
audiences.
He
tried
to
imitate
movies
like
Murari,
Athadu
and
Ninne
Pelladatha
to
highlight
the
family
relations
but
there
is
no
comparison
with
them
as
they
were
picturised
far
better
than
this
film.
Likewise,
there
are
a
lot
of
action
scenes
in
the
film,
which
has
lots
of
wirework.
All
the
action
scenes
were
far
from
reality
and
were
truly
cinematic.
Though
Vishnu
played
well,
their
picturisation
brings
laugh
among
audiences.
Mohan
Babu
should
have
avoided
playing
the
role.
The
director
shouldn"t
have
used
such
a
senior
artiste
to
demean
a
female
teacher
that
way.
It
is
absurd
to
look
at
the
oomph
of
a
woman
teacher
who
came
to
teach
him.
Of
course,
she
(Kaveri
Jha)
was
meant
to
attract
him
as
per
the
story.
Dialogues
in
the
film
lacked
punch
and
the
audiences
who
look
for
impressive
dialogues
from
a
hero
like
Mohan
Babu
would
definitely
feel
disappointed.
Even
the
comedy
track
was
picturised
in
poor
taste.
REMARKS:
The
storyline
of
the
film
was
about
love,
joint
family
and
revenge.
But
YVS
Choudhary
fails
to
build
the
correct
tempo
and
mould
the
film
interesting.
It
is
just
surprising
how
he
brought
out
a
great
film
like
Devadasu.
Despite
good
production
values
and
lavish
spending
by
the
banner,
the
film
ends
on
a
dull
and
drab
note.