After
a
gap
of
10
long
years,
Upendra
decided
to
wield
the
megaphone
with
Super.
He
is
known
for
wearing
different
attires
and
at
times
confusing
the
audiences
with
his
style
of
action
and
direction.
Once
again,
he
has
chosen
a
different
from
routine
film.
The
movie
depicts
the
corrupt
political
system
that
has
landed
the
people
of
Indian
at
a
coma
stage.
More
than
the
story,
it
is
technology,
the
glamour
and
the
fast
pace
of
the
film
coupled
with
punch
dialogues
that
mesmerise
the
audiences.
Read
on
for
Super
review.
Story:
Subhash
Chandra
Gandhi
(Upendra),
stays
in
London
and
runs
Gandhi
and
Gandhi,
a
multi-billionaire
company.
He
loves
India
more
than
his
life
and
he
is
a
great
patriot.
He
falls
in
love
with
Indira
(Nayantara)
thinking
that
she
is
a
traditional
Indian
girl.
However,
She
has
something
different
in
her
mind
and
has
a
hidden
agenda
behind
her
marriage.
Noticing
his
weakness
about
India
and
its
traditions,
she
wants
him
to
change
himself
first
and
forget
his
patriotism.
She
puts
a
test
to
him
to
get
the
pension
to
her
childhood
teacher
like
a
common
man.
Gandhi
accepts
the
test
and
tries
his
best
but
finds
that
he
could
not
do
anything,
as
a
common
man
because
the
entire
system
turned
corrupt.
Meanwhile,
the
story
unveils
her
hidden
agenda.
The
circumstances
make
Subhash
to
open
a
company
in
India.
The
rest
should
be
seen
on-screen.
Performance:
Such
kind
of
stories
need
a
hero
like
Upendra
and
no
other
could
do
justice
to
this
kind
of
role.
The
change
of
attires,
the
peculiar
action,
sporting
of
different
hairstyles
and
costumes
would
suit
only
Upendra,
as
audiences
are
used
to
it.
Moreover,
the
dialogues
penned
for
his
character
has
perfectly
matched
his
histrionics.
Surely,
the
audience
will
enjoy
his
punch
dialogues
and
acting
in
the
film.
Nayanatara
has
given
wondeful
performance.
She
too
has
emoted
well
in
different
scenes.
Tulip
Joshi
gas
filled
the
glamour
slot.
Comedy
by
Sadhu
Kokila
and
Ali
evokes
good
laughs.
Sudarshan
as
father
of
Upendra
is
okay.
Technical:
Cinematographer
Ashok
Kashyap
has
beautifully
captured
the
beauty
of
London.
Graphics
are
used
to
show
high-rise
buildings
near
the
Charminar,
Assembly,
Golconda
and
other
important
places
in
Hyderabad.
It
gives
a
feel
that
Hyderabad
would
sport
a
different
look
by
2030.
Music
by
Harikrishna
is
adequate.
Dialogues
by
Vennelakanti
are
apt
but
it
will
not
give
the
audiences
a
feel
that
they
are
watching
a
dubbed
film.
Technical
advancement
of
the
film
is
undoubtedly
at
its
best.
The
screenplay
and
the
script
penned
by
Upendra
are
gripping
and
the
directorial
talent
of
Upendra
is
unquestionable.
Analysis:
Upendra
has
foreseen
the
future
and
made
the
film
in
an
extraordinary
style.
No
doubt
the
audiences
would
get
good
entertainment.
However,
the
non-Telugu
extras
appeared
boring
and
it
is
very
cinematic.
Rowdyism
in
corporate
style
sounds
okay
but
it
is
impractical.
Likewise,
selling
the
state
in
auction
and
to
sell
it
to
people
sounds
something
odd
and
indigestible.
Though,
the
film
is
okay
on
technical
front,
the
Telugu
audiences
may
not
like
the
film
as
a
whole.
However,
the
message
that
everyone
should
love
the
country
is
excellent.
Cast:
Upendra,
Nayantara,
Tulip
Joshi,
Sadhu
Kokila,
Ali,
Jeeva,
Sudarshan,
Shylasri,
Nagendra
Shah,
Rockline
Venkatesh,
Swetha
and
others.
Credits:
Cinematography
–
Ashok
Kashyap
and
Johny
Lal,
Music
–
V
Harikrishna,
Producer
–
Rockline
Venkatesh,
Dialogues
–
Sashank
Vennelakanti,
Lyrics
–
Vennelakanti,
Story,
Screenplay
and
Direction
–
Upendra.
Banner:
Rockline
Productions
Released
on:
March
11,
2011