Uday
Kiran
earned
the
image
as
a
lover
boy
with
his
first
film
‘Chitram’
directed
by
Teja.
However,
the
image
started
distancing
from
him
after
the
second
film
and
almost
vanished
with
many
new
artistes
entering
the
film
industry
and
the
word
‘lover
boy’
started
jumping
like
a
foot
ball
from
one
hero
to
the
other.
Likewise,
Shweta
Basu
Prasad
won
the
hearts
of
youth
with
the
film
Kotta
Bangaru
Lokam
and
almost
vanished
from
the
Telugu
film
industry
in
no
time.
They
have
come
together
in
the
film
Nuvvekkadunte
Nenakkadunta.
Though
the
film
had
completed
its
shooting
some
two
and
a
half
years
ago,
the
prints
failed
to
see
the
light.
Probably,
the
distributors
who
saw
the
film
must
have
thought
that
it
should
be
appropriate
to
the
title
that
it
should
be
where
it
is.
Let
us
see
how
the
film
is.
Hari
(Uday
Kiran)
had
a
unique
habit
of
getting
weird
dreams.
Whatever
he
see
in
the
dream
used
to
come
true
on
one
day
or
the
other
in
future.
Keeping
it
aside,
he
gets
engaged
with
his
uncle’s
daughter
Nilambari
(Arthi).
However,
the
girl
doesn’t
like
him
because
Hari
has
no
job.
In
order
to
get
his
would
be
son-in-law
a
job
holder,
his
uncle
brings
him
and
arranges
a
job
for
him
in
a
finance
company.
Accidentally,
Hari
comes
across
Harita
(Shweta),
who
is
an
orphan,
and
loses
his
heart
in
no
time.
It
is
another
co-incidence
that
Hari
and
Harita
stay
neighbours.
Bhadra
(Amit),
who
is
proved
to
be
a
bad
guy
in
that
locality,
also
falls
in
love
with
Harita.
For
security
from
Bhadra,
Harita
moves
close
with
Hari.
At
this
juncture,
Hari
had
a
dream,
where
he
finds
Harita
facing
trouble
from
Bhadra.
Now,
it
is
the
turn
of
Hari
to
safeguard
Harita
from
Bhadra.
So,
he
takes
her
away
from
that
place
to
his
village.
Will
his
family
accept
Harita
as
he
was
already
engaged
with
Neelambari?
What
is
the
weird
dream
Hari
gets
about
Harita?
Like
all
his
dreams,
will
this
dream
too
came
true?
How
Hari
saves
Haritha
from
Bhadra?
Answers
to
all
these
questions
form
part
of
the
climax?
Performance:
Uday
Kiran
has
played
a
decent
role
in
this
film
as
Hari.
It
is
neither
a
youth’s
role
nor
lover
boy’s
role.
He
has
given
good
and
matured
performance
throughout
the
film.
Swetha
Basu
Prasad
too
did
her
role
with
grace
and
appeared
quite
glamorous
at
every
available
moment.
However,
Amit
did
not
impress
much
as
dreaded
villain.
Asish
Vidyarthi’s
comedy
is
funny
and
is
convincing.
All
the
other
artistes
are
not
much
to
be
talked
about.
Technical:
Dialogues
penned
by
Janardhan
Maharshi
are
casual.
They
are
neither
thought-provoking
nor
very
interesting.
Pradeep
Koneru’s
music
is
just
not
so
convincing.
Two
songs
tuned
by
him
are
okay.
None
of
the
songs
could
be
remembered
by
the
audiences
at
least
to
hum
after
coming
out
of
the
theatre.
Camera
work
by
Nandamuri
Hari
is
average
and
editing
is
also
not
so
good
and
poor
to
a
major
extent.
Though
the
plot
taken
by
the
director
Subha
Selvam
is
good,
he
could
not
properly
present
it
on
the
screen.
Narration
is
almost
poor
from
the
beginning
till
the
end.
He
failed
to
present
the
weird
dreams
of
the
hero
on
the
screen
properly.
Screenplay
is
really
atrocious
and
the
director
himself
might
have
admitted
it
with
the
improper
narration
of
the
subject.
But
for
some
half
an-hour
after
the
interval,
the
entire
film
is
bad
and
not
watchable.
Remarks:
The
film
which
was
exhibited
for
the
sake
of
distributors
failed
to
get
their
attraction
in
itself
denotes
that
the
film
is
bad
and
that
was
the
reason
the
film
failed
to
see
the
light
for
two
and
a
half
years.
So,
you
also
keep
off
the
movie
for
the
sake
of
yourselves.
Cast:
Uday
Kiran,
Shweta
Basu
Prasad,
Arthi,
Amit
Kumar,
Asish
Vidyarthi
and
others
Credits:
Cinematography
-
Nandamuri
Hari;
Music
–
Pradeep
Koneru;
Executive
producer
–
Soma
Vijayprakash;
Presents
–
Uday
Kiran;
Producers
-
D
Kumar
and
M
Eswara
Prasad;
Screenplay
and
direction
–
Subha
Selvam
Banner:
Sri
Venkateswara
Films