Filmmaker
Mani
Ratnam,
who
has
given
some
landmark
films,
including
Roja
and
Nayagan,
says
he
was
enjoying
his
life
as
a
well-paid
management
consultant
after
finishing
MBA
from
a
top
B-school
35
years
ago
when
chance
gave
him
an
entry
into
the
world
of
films.
"It
was
an
accident.
I
was
interested
in
cinema
only
as
a
viewer.
I
never
thought
I'd
take
it
up
as
a
career.
I
never
thought
I
would
sit
and
write
and
actually
direct
films," the
director
says
in
a
new
book
"Conversations
with
Mani
Ratnam".
The
book,
based
on
the
filmmaker's
freewheeling
interactions
with
film
critic
Baradwaj
Rangan,
published
by
Penguin,
reveals
how
the
reticent
man
who
went
on
to
deliver
gems
in
Hindi
and
Tamil
films
switched
over
to
cinema.
During
the
seventies,
Ratnam
was
so
fed
up
of
watching
sub-standard
Tamil
films
that
he
decided
to
push
the
bar
himself.
The
acclaimed
filmmaker,
favoured
both
by
critics
and
the
Box
Office,
says,
"Even
now
I
feel
that
if
enough
good
Tamil
films
were
made,
I
wouldn't
become
a
filmmaker."
Besides
those
by
Balachander
and
Mahendran,
he
says,
"The
rest
of
the
films,
predominantly,
were
not
good.
Tamil
cinema
had
stagnated.
The
films
were
so
ordinary
and
without
any
flair
that
you
felt
you
could
do
better
even
if
you
didn't
know
anything
about
cinema."