BollywoodbredcrumbMoviesbredcrumb7 Khoon Maaf
    7 Khoon Maaf

    7 Khoon Maaf

    Release Date : 18 Feb 2011
    Director : Rohan Sippy
    3/5
    Critics Rating
    Audience Review
    7 Khoon Maaf movie is a romantic misadventures story of an Anglo-Indian woman Susanna Anna-Marie Johannes, a beautiful lass who over the course of thirty-five odd years, gets married seven times due to the untimely and mysterious deaths of half a dozen of her hapless husbands.

    The strange circumstances of their deaths, makes Susanna a prime accused. Did the husbands deserve to die? Were the murders out of necessity or pure blood-lust? Does Susanna ever find her one true love?
    • Rohan Sippy
      Director
    • Vishal Bharadwaj
      Producer
    • filmibeat.com
      2/5
      The very thought of watching a Vishal Bhardwaj film excites a movie buff no end. Right from MAKDEE to KAMINEY, Bhardwaj's body of work stands out from the rest. The forward-thinking film-maker's fixation for adapting novels and plays is known to al..
    • days ago
      Report
      It's quite a 'David Lincher' (Zodiac, Se7en) sort of scene, if you will. A frustrated army major points his half broken leg towards his wife -- half-circling it to the right of the screen, calmly sipping on whisky from his couch. The wife's patiently taken his Jaipur foot off. The sight's a bit gross. She's also just pissed him off, having danced provocatively with another young man at a party before. He's a violent dude. There's an uneasy chill in the air. You know something will happen. But the moment stays somewhat frozen in the anticipation alone!This officer (Neil Nitin Mukesh), who lost his leg to Punjab's Operation Bluestar in '84, we're told, would make for the most typical Indian husband: boring, possessive, insecure, maha shakki (super suspicious). This could well be true for the typical Indian wife. But that's another matter.The story line, the main character's motivations, or her mental state, are not the picture's prime concerns. The movie is clearly crafted around strong, effective scenes alone: a lot of it, cleanly cut and clinical, a whole lot immediately compelling. The other time you will feel instantly queasy from your seat is when Irrfan's character (husband no 4?), a Kashmiri poet, soft in his verse, shockingly turns out as dangerously sadomasochistic in bed. He slaps her, pushes himself again. His kurta hangs loosely over his thigh. His eyes haunt you.

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