By:
Subhash
K.
Jha,
IndiaFM
Wednesday,
September
12,
2007
The
film
Dhokha
which
you've
written
sounds
an
alarmist
note
about
the
isolation
of
Muslims
in
India.
But
it's
a
reality
brought
on
by
the
delaying
tactics
of
the
bureaucracy
and
the
apathy
of
the
police
force.
And
not
just
after
communal
riots
and
post
9/11,
this
has
been
the
case
for
a
very
long
time.
But
the
apathy
has
been
legitimized
after
King
Bush
turned
his
guns
on
the
Muslims.
I
feel
the
worst
terrorist
in
the
world
doesn't
live
in
Afghanistan.
He
lives
in
the
White
House.
It's
sad
that
our
country
has
chosen
to
tie
our
apron
strings
to
his
policies.
I
shudder
to
think
what
price
we'll
have
to
pay
for
our
affinity
to
Bush.
I
guess
slavery
comes
in
very
attractive
packages.
The
affluent
elite
have
legitimized
this
kind
of
slavery.
I'm
willing
to
hang
Osama
on
the
streets
of
Mumbai
provided
you
first
let
me
hang
Bush.
According
to
me
they're
both
terrorists
of
the
worst
kind.
Your
writing
in
Dhokha
is
patently
political?
Dhokha
is
my
first
political
film
which
I've
co-written
with
Shagufta
Rafiq.
As
a
Muslim
she
shares
the
dread
and
fears
the
Indian
Muslim.
Do
you
feel
Islam
is
being
misinterpreted?
Islam
is
a
religion
that
doesn't
condone
the
massacre
of
the
innocent.
Once
the
Prophet
was
asked
what"s
the
most
blessed
thing.
He
answered,
to
tell
the
truth
to
the
oppressive
ruler.
Dhokha
shows
the
mirrors
to
those
brutes
posing
as
custodians
of
Islam.
It
also
put
the
State
in
the
dock.
Historically,
the
State
is
the
primary
violator
of
human
rights.
First
the
State
has
to
do
some
soul-searching
before
taking
on
terrorism.
There
cannot
be
peace
without
justice.
Did
you
foresee
censor
trouble
for
Dhokha?
No,
I've
seen
a
shift
in
the
censorial
mind
during
the
last
ten
years.
They've
become
more
liberal
since
my
Zakhm
in
1998.
I'd
like
to
believe
this
is
a
different
India.
People
are
allowed
to
speak
their
minds.
But
the
censors
are
more
cautious
about
political
themes.
Dhokha
sides
with
sane
values.