Madan
is
a
good
storywriter.
He
gave
the
story
for
Aa
Naluguru
which
was
directed
by
Chandra
Siddhartha
proved
a
big
success
and
earned
a
critical
acclaim.
The
name
and
fame
earned
from
the
first
film,
had
prompted
him
to
direct
a
film
on
his
own
production
on
the
banner
of
'Aa
Naluguru
Films'.
He
took
a
delicate
issue
—
relationship
between
wife
and
husband
immediately
after
their
marriage
—
and
tried
to
give
a
good
message
how
a
couple
should
mould
its
marital
life.
Harikrishna
@
Hari
(Jagapatibabu)
is
a
software
professional.
Lakshmi
@
Lucky
(Priyamani)
is
also
a
software
professional.
They
meet
accidentally
in
a
programme
of
private
TV
channel
and
that
starts
with
a
quarrel.
However,
they
get
married
with
the
help
of
a
marriage
bureau
run
by
Janaki
@
Janu
(Jhansi).
Chalapati
(Sunil)
is
her
hen-pecked
husband.
After
their
marriage,
Janu
is
the
friend
of
Lucky,
who
brainwashes
the
latter
that
a
woman
should
make
her
husband
loyal
to
her.
At
the
same
time,
Hari's
friend
(Krishna
Bhagawan),
who
is
a
lawyer
also
advises
Hari
to
keep
Lucky
under
control.
These
words
of
their
friends
leave
their
marital
life
high
and
dry,
as
both
of
them
fall
victims
of
ego
and
self-respect.
The
situation
become
so
worse
that
both
of
them
come
to
a
decision
to
apply
for
divorce.
At
this
juncture,
Hari's
grandfather
(Kota
Srinivasa
Rao)
and
grandmother
(Geetanjali),
who
come
to
know
about
the
tragedy
in
the
lives
of
Hari
and
Lucky,
decide
to
unite
them.
The
old
couple,
invites
Hari
and
his
wife
to
perform
Dampatya
Vratam.
They
play
several
tricks
and
finally
their
plan
proved
successful
and
Hari
and
Lucky
were
about
to
unite
with
a
good
understanding.
At
that
time,
Lucky
comes
to
know
that
it
was
a
trick
played
by
the
old
couple
and
gets
angry.
But
Hari's
grandfather
makes
a
final
trial
and
asks
both
of
them
to
write
down
the
minus
points
of
the
other.
When
Hari
and
Lucky
write
down
something
and
give
it
to
him,
he
says
that
they
penned
down
the
mistakes
committed
by
the
other
person
and
wanted
them
to
pinpoint
their
minus
points.
When
asked
the
difference
between
the
mistake
and
a
minus
point,
he
says,
a
mistake
could
be
rectified,
but
a
minus
point
is
beyond
correction.
After
giving
a
good
explanation,
they
both
realize
that
they
were
in
fault
and
failed
to
understand
each
other
properly,
because
of
the
words
of
their
friends.
The
film
ends
on
a
happy
note
with
the
union
of
the
hero
and
heroine.
Plus:
The
fantastic
narration
of
the
difference
between
a
mistake
and
minus
point
is
the
biggest
asset
for
the
film.
The
graphic
works
and
the
song
choreographed
on
Kota
Srinivasa
Rao
and
the
mythological
description
in
the
form
of
Lord
Shiva,
Parvati
and
the
Gangavataranam
with
graphics
is
the
highlight
of
the
film.
Jagapatibabu
is
known
for
doing
such
roles
with
great
ease
and
Priyamani
also
looked
cute
and
put
up
good
performance.
Another
highlight
is
the
idea
of
complaint
box
near
the
bedroom.
The
storyline
in
itself
is
very
delicate
and
the
roles
of
Kota
and
Gitanjali
were
another
big
asset
for
the
film
Minus:
Though
the
film
has
a
good
storyline,
the
director
failed
to
establish
the
aversion
between
the
wife
and
husband
properly.
The
entry
and
exit
of
Raju
Sundaram
and
Astha
Singhal
was
also
not
established
appropriately.
The
comedy
track
that
run
on
Venumadhav
though
evoked
laughter,
has
nothing
to
do
with
the
story.
Likewise
the
other
comedy
track
run
on
Brahmanandam
and
Kovai
Sarala
also
has
nothing
to
do
with
the
story.
Though
in
a
20-minute
shoot
before
the
climax
he
tried
to
explain
the
sweetness
of
marriage
life,
the
entire
film
runs
on
the
differences
between
a
wife
and
husband.
Remarks:
The
film
is
good
to
watch
with
a
family.
The
subject,
the
way
it
has
been
dealt
with
was
quite
good
and
the
film
would
definitely
attract
the
family
crowds
to
the
theatres.
However,
lack
of
commercial
elements
in
the
film,
might
show
an
adverse
impact
and
the
film's
commercial
success
is
doubtful.