In
this
sequel
to
Ram
Gopal
Varma's
month-old
film
about
gang
wars
during
the
time
of
politics
and
elections
we
get
to
see
for
the
first
time
in
a
Hindi
film
Surya,
an
actor
of
searing
intensity
and
devastating
emotional
velocity.
Surya
takes
the
front
seat
in
the
sequel
to
create
an
ambience
of
implosive
violence.
Yes,
we've
never
seen
an
actor
so
controlled
in
his
intensity
for
a
long
time.
Surya's
vendetta
spree
certainly
lends
an
added
sheen
to
the
proceedings.
Whether
expressing
his
love
for
his
wife
(Priya
Mani,
over-madeup)
and
baby
or
hatred
for
his
opponent
Paritala
Ravi
(Vivek
Oberoi,
not
able
to
add
to
his
performance
from
the
first
part)
Surya's
eyes
convey
a
smoldering
universe
of
indignation
injustice
grief
and
anger.
Cleverly
Varma
has
given
Surya
long
stretches
of
silence
in
which
the
star-actor
negotiates
his
angst-filled
journey
from
betrayal
to
redemption.
Surya's
lengthy
introduction
sequence,
the
even
lengthier
attempt
to
kill
him
in
the
court
house
and
the
long
fight
sequence
in
jail
are
all
'items'
constructed
to
spotlight
the
star's
agile
histrionics.
Rakta
Charitra
2
goes
a
little
slower
on
the
body
count
than
the
first
part.
It
is
still
one
of
the
bloodiest
most
violent
films
in
living
memory.
This
must
be
the
quickest
sequel
ever.
Rakta
Charitra
2
is
better
more
engaging
and
riveting
in
terms
of
content
and
drama.
Full
credit
to
Ram
Gopal
Varma
for
re-creating
the
savage
world
of
politics
and
bloodshed
in
the
Andhra
hinterland.
With
skilled
hands
Varma
weaves
the
theme
of
an
internecine
war
between
two
men
who
would
be
king
in
the
concrete
jungle.
The
background
score
and
editing
highlight
the
ruthless
profile
of
the
hinterland.
Rakta
Charitra
2
goes
beyond
the
first
part
in
pursuit
of
the
savage
impulses
that
accentuate
the
hunger
for
power.
Surya
has
the
most
pained
eyes
since
Om
Puri
in
Aakrosh.
Between
the
pleading
and
the
bleeding
that
are
projected
into
his
character,
Surya
proves
himself
the
discovery
of
the
year.
Watch
Rakta
Charitra
2
for
Surya.
And
then
watch
it
for
the
parable
of
violence
that
Ram
Gopal
Varma
continues
to
construct
in
search
of
a
meaning
for
the
cinema
beyond
surface
beauty.
Story first published: Monday, December 6, 2010, 16:01 [IST]