Taran
Adarsh
Its
strength
lies
not
just
in
Munna
and
Circuit's
chemistry,
but
also
reliving
the
teachings
of
the
Father
of
the
Nation
Mahatma
Gandhi.
Qualitatively,
it's
a
worthy
sequel
and
not
to
be
missed.
Subash
K
Jha
(IANS)
Lage
Raho
Munnabhai goes
a
long
way
in
creating
an
enduring
and
endearing
parable
on
the
importance
of
being
earnest
in
a
world
of
growing
duplicity.
The
narrative
is
so
unfailingly
heartwarming
and
the
characters
so
full
of
human
kindness,
you
wait
for
the
plot
to
be
weighed
down
by
excessive
self-importance.
The
fall
never
happens.
Lage
Raho
Munnabhai remains
true
to
its
characters
till
the
end.
Nikhat
Kazmi(
Times
Of
India)
The
unbridled
humour
of
Munnabhai
MBBS
has
been
replaced
by
a
Raj
Kapoor-esque
innocence
and
goodness.
The
trio
of
Sanjay,
Arshad
and
Boman
(this
time,
he's
a
scheming
sardarji)
re-work
their
magic.
Of
course,
we
wish
the
adorable
Circuit
had
some
more
screen
time
and
hadn't
been
underplayed
in
the
sequel.
But
then,
part
two
boasts
winsom
Vidya
Balan
who
has
a
wow
screen
presence
and
might
soon
emerge
as
the
new
star
on
the
marquee.
Producer
Vidhu
Vinod
Chopra
gives
the
great
Indian
family
one
more
let's-go-goodwill-hunting
entertainer,
even
as
director
Raju
Hirani
proves
that
sequels
needn't
have
the
been
there-done
that
feel...
Rajeev
Masand
(IBN)
Without
mincing
words,
let
me
say
Munnabhai
MBBS
was
a
far
more
intelligent
film,
but
Lage
Raho
Munnabhai
is
the
real
crowd-pleaser.
That's
not
to
say
the
new
film
isn't
bright
-
because
it
is.
Only,
the
intelligence
this
time
has
been
used
in
crafting
a
non-stop
entertainer.
Poonam
joshi(BBC)
It's
rare
to
see
a
film
that
bounces
between
humour
and
sentiment
so
seamlessly.
And
it
is
rarer
still
to
see
characters
become
etched
in
the
memory
so
enduringly
that
audiences
become
almost
protective
of
them.
It's
testimony
both
to
the
quality
of
the
writing
and
the
performances,
that
Munna
and
Circuit
have
taken
on
a
life
of
their
own.
Lage
Raho
Munnabhai
is
the
ultimate
in
feel-good
cinema
that
leaves
you
feeling
like
anything
is
possible.
Vinayak
Chakroborty(Hindustan
Times)
Like
Munnabhai
MBBS,Lage
Raho...subtly
drops
a
comment
amid
all
the
wild
humour.
Hirani
takes
his
narrative
to
the
realm
of
the
metaphysical
to
impart
his
message
this
time
-
he
renders
a
Gandhian
spin
to
it.
It's
a
most
unusual
tool
to
move
the
film
forward,
given
the
predominantly
comic
genre
that
the
film
belongs
to.
If
it
works,
it's
thanks
to
the
filmmaker's
clever
downplaying
of
the
idealism
inherent.
Without
being
preachy,Lage
Raho...gently
makes
its
own
social
statement.
Phelim
O'Neill(
The
Guardian)
The
film
does
not
shy
away
from
the
fact
that
to
follow
Gandhi's
path
demands
bravery
and
self-sacrifice.
As
western
romantic
comedies
become
more
vapid
and
even
stalkerish,
this
delivers
a
credible
message
of
peace,
while
never
forgetting
to
be
magnificent
entertainment.
Shastri
Ramachandaran(
The
Tribune)
Gandhigiri,
as
it
catches
on
in
popularity,
cannot
escape
being
hijacked
by
those
with
a
craving
for
power
but
the
political
skill
to
camouflage
it
as
a
passion
for
public
good.
That
is
a
price
Gandhigiri,
too,
like
Gandhi's
legacy,
will
have
to
pay
in
the
long
run.
In
the
short
term,
the
film
is
having
a
good
run
and
everyone
comes
away
feeling
good.
Chances
are
that
some
good
will
come
out
of
it.