Mani
Ratnam,
one
of
the
film
maker,
who
enjoys
the
top
spot
from
three
decades
in
Indian
cinema,
has
disappointed
the
neutral
viewers
with
his
newly
released
film
Raavanan.
Yes,
comparing
with
his
previous
Blockbusters
like
Thalapathy,
Nayakan
and
Mouna
Ragam,
this
modern
Raavanan
is
no
where
and
a
boring
experience!
It
seems
that
the
director
has
completely
lost
his
midas
touch
and
just
presented
the
film
with
excellent
Indian
aquatic
and
forest
locations
like
a
documentary
video
of
'Incredible
India
campaign'!
In
fact
there
is
no
perfect
story
in
the
film.
It
looks
like
Mani
has
just
collected
all
the
news
paper
cuttings
and
made
his
script.
It
seems
that
he
has
simply
copied
the
outlines
of
the
epic
Raamayan
and
mixed
it
with
the
modern
day
Robinhood
Veerappan's
story.
Veera
(Vikram),
a
Robin
Hood-like
macho
man
has
been
portrayed
as
a
Raavanan,
and
his
elder
brother
Singam
(Prabhu),
younger
brother
Sakkarai
(Munna)
live
in
a
tribal
village
somewhere
near
Thirunelveli.
Veera
runs
his
own
Government
and
his
followers
abide
to
his
words.
He
is
the
strength
of
the
tribal.
Everyone
loves,
respectes
and
fears
him
and
even
ready
to
sacrifice
their
life
for
him.
Dev
(Prithviraj),
as
described
God
(Ram
character)
is
the
special
task
force
Superintendent
of
Police
and
is
on
the
hunt
of
Veera
with
other
cops
and
a
forest
guard
(Karthik),
a
new
age
Hanuman.
His
goddess
like
wife
Ragini
(Aishwarya
Rai)
the
Sita
character,
is
also
with
him.
In
a
operation,
Veera's
sister
Vennaila
(Priyamani
in
the
character
of
Surpanangai)
was
taken
by
the
special
task
force
and
raped
her
in
the
police
station.
To
settle
his
personal
vengeance
with
Dev,
Veera
kidnapped
Ragini
as
his
hostage
for
14
days.
Ragini
initially
feared
to
see
Veera
and
thinks
he
is
a
brutal
beast,
later
discovers
that
her
'God
like" husband
is
no
saint
and
has
dark
shades
in
his
character,
too.
When
Veera
released
her
without
demanding
anything
from
anybody
her
husband
asks
her
for
a
polygraph
test
to
prove
her
chastity.
What
happens
next
should
been
seen
on
the
silver
screen.
Technically
the
film
has
got
some
plus
points
and
the
main
attraction
is
the
amazing
camera
work
by
Santosh
Sivan.
His
shots,
angles
and
presentation
are
simply
superb.
The
technique
of
using
water
as
one
of
the
characters
has
come
up
as
a
plus
point
in
the
film.
It
really
thrills
the
mood
of
audience
in
come
scenes.
And
the
climax
fight
between
Vikram
and
Prithviraj
on
the
bridge
is
extraordinary,
with
picture
perfect
top
angle
shots
and
camera
movements.
The
major
minus
in
the
film
is
Vikram's
character.
Though
the
actor
has
worked
hard
to
give
life
to
the
character,
his
efforts
has
gone
in
vein
due
to
the
psycho
nature
of
the
character.
There
is
no
powerful
moves
or
spine
chilling
action
sequences
(except
the
bridge
stunt).
In
fact,
in
few
scenes
the
overdose
of
madness
in
his
character
makes
a
mockery
of
the
character
itself!
The
character
of
Aishwarya
is
also
not
convincing.
Ash
having
a
change
of
heart
for
Vikram
is
equally
unpalatable
and
makes
you
wonder,
how
and
when
did
she
develop
such
strong
feelings
for
Veera?
But
no
doubt,
Ash's
appearance
steals
the
heart.
Prithviraj's
role
as
a
tough
cop
and
his
loud
shouts
are
irritating.
The
director
used
Karthik
as
a
clown,
but
the
case
of
Prabhu,
he
is
perfectly
fitting
to
the
role.
Nothing
special
to
mention
about
Priyamani
and
Ranjitha.
Another
biggest
let
down
is
AR
Rahman"s
music.The
picturisation
and
placement,
for
which
the
duo
is
famous,
is
alo
disappointing.
Most
of
the
songs
of
the
film
looks
like
speed
breakers
in
the
film.
Samir
Chanda's
art
work
looks
very
artificial,
particularly
the
broken
statue
amidst
the
flowing
water.
Suhasini's
dialogues
are
very
amateur
and
a
fresher
can
handle
this
better
than
her.
The
first
half
of
the
film
is
just
crawling
and
testing
the
viewers
patience.
It
is
better
Mani
Ratnam
may
try
for
a
straight
Tamil
film
next
time.
Moreover
the
Tamil
nativity
or
flavour
or
realism
are
also
missing
in
the
whole
content.
Verdict:
Disappointment
Credits:
Vikram,
Aishwarya
Bachchan,
Prithviraj,
Prabhu,
Karthik,
Priyamani
Camera:
Santoshj
Sivan
Music:
A
R
Rahman
Art:
Sameer
Chanda
PRO:
Nikil
Direction:
Mani
Ratnam
Producer:
Big
Pictures
&
Madras
Talkies