He
is
one
of
the
budding
musical
talents
of
the
Indian
film
industry.
Akash
Sagar,
younger
brother
of
filmmaker
Amrit
Sagar,
is
all
set
to
mark
his
debut
as
a
music
director
through
the
film
1971.
This
18-year
old
talented
music
director
draws
inspiration
from
Hollywood.
Akash
Sagar
talks
about
his
experience
making
the
music
of
1971.
Tell
us
something
about
your
background?
Where
did
you
take
your
training
in
music?
I
come
from
the
Sagar
family.
I
am
18
years
old
and
studying
BA.
About
two
years
back,
when
I
was
16,
I
started
making
the
background
score
for
1971.
I
have
been
playing
piano
since
I
was
about
ten.
I
have
also
learned
Hindustani
classical
singing
at
the
age
of
six
from
Suresh
Wadakar.
Tell
us
something
about
the
music
of
1971?
The
music
of
1971
is
very
film
oriented
and
it
doesn't
sway
anywhere.
It
sticks
to
the
realistic
element
of
the
film,
plus
it
is
quite
entertaining
for
the
audience.
Most
of
the
songs
have
the
emotional
content
that
is
required.
The
background
score
of
the
film
is
very
detailed
and
perpetual.
How
much
scope
does
a
war
film
really
have
for
music?
War
films
actually
have
a
lot
of
scope
for
music,
but
you
can't
just
cut
and
shoot
the
song
in
Switzerland.
It
definitely
has
scope
for
music
but
it
should
be
used
correctly
keeping
the
realistic
element
alive.
Since
war
is
a
very
serious
subject,
the
music
has
to
be
serious
and
pure
in
every
sense.
Amrit
Sagar
recently
told
us
that
you
conducted
an
entire
orchestra
for
the
background
score;
could
you
tell
us
something
about
it?
I
orchestrated
the
path
and
then
went
ahead
to
record
the
score.
We
had
a
60-piece
orchestra.
And
there
is
a
song
where
we
had
about
60-piece
orchestra
plus
40-piece
choirs.
Eric
Pillay
mixed
and
mastered
the
1971's
tracks.
We
chose
to
go
completely
historic
and
slightly
based
on
western
classical,
because
it
brings
a
note
of
universality
to
the
film.
It's
neither
Indian
nor
Pakistani;
rather
it
is
a
very
universal
tone.
Why
did
you
decide
on
a
female
singer
(Shibani
Kashyap)
for
the
title
track
knowing
that
the
song
is
being
picturized
on
male
protagonists?
I
heard
her
song
in
one
album
called
Nazakat
and
I
really
like
the
tone
and
the
texture
of
her
voice.
I
met
her
and
discussed
about
the
song.
I
believe
I
liked
the
feel
of
her
voice,
and
that
is
what
I
went
for.
I
felt
that
the
texture
and
the
timber
in
her
voice
suited
the
song.
Shibani
is
also
composing
for
the
film.
Weren't
you
apprehensive
of
sharing
credits
in
your
debut
film?
That
thought
never
arose
in
my
mind.
I
consider
her
as
a
singer,
who
could
match
the
tone
that
I
was
looking
forward
to,
for
my
song.
I
didn't
really
look
at
the
path
she
composed.
So,
there
was
not
a
question
of
being
apprehensive
of
sharing
credits.
That
thought
never
crossed
my
mind.
Are
you
doing
any
private
albums?
As
of
now
the
only
project
on
my
mind
is
1971.
So.
let
time
unfold
what
it
has
to.
Who
is
your
favourite
music
director
in
Bollywood?
Who
have
been
your
inspirations?
Frankly,
speaking
my
inspiration
is
not
from
here.
I
really
don't
have
any
favourite.
I
can't
say
that
one
person
is
the
best.
S.D
Burman
was
exceptionally
great.
A.R
Rahman
has
reached
the
great
standards
of
Indian
music.
Most
of
my
inspiration
comes
from
Hollywood
because
their
music
is
more
pure.
Are
you
composing
for
any
other
films?
I
am
waiting
for
1971
to
be
out.