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Wednesday, September 20, 2006
In Irish novelist Roddy Doyle's The Woman Who Walked Into Doors, the battered wife Paula keeps justifying her bruises by saying she as a habit walks into closed doors and hurts herself.
The battered wife Kiranjit in Jagmohan Mundhra's jolting expose on domestic values never gets a chance to walk in or out of that closed London door where she lives with her brutal husband. She chooses her husband's death over own exit.
It's amazing how the true-life Kiranjit Ahluwalia found freedom by setting her brutal husband on fire. In one of the film's most sensitively delineated dialogues, Kiranjit says to her rather overly benign prison mates, "I've never felt freer in my life."
What sort of trauma would it take for a woman to feel free in prison? Provoked answers the complicated question of domestic disharmony with a deft and direct approach to the question of a woman's place in the man's scream of things.
The intermittent flashbacks showing Kiranjit's spousal nightmare, cut deep and hard into the narrative. Full credit to Aishwarya Rai for plunging deep into a part that she plays straight from her heart. True, at times she looks too pretty to be ravaged. But the vulnerable, fragile little-girl-lost quality in her personality works to great advantage in portraying the spouse-burning victim as a woman scorned beyond endurance. There're moments in the narrative where Rai melts your heart like an ice-cream cone left out in the sun for too long.
Madhu Ambat's cinematography is so sweeping in its specificity; it creates a spatial bond between the protagonist's heart and her hostile-to-compassionate surroundings. Mundhra and Sanjay Mirajkar have edited the harsh material with extreme economy of expression. The film moves mercilessly forward leaving no room for a breather.
Among the unforgettable sequences, count the one where the stern lady constable asks Kiranjit to take off her jewellery and clothes. Kiranjit pleads in hushed anguish, "Never take clothes off in front of husband."
Aishwarya's inherent inhibitions give the character a mocking edge. How could this petal-tender woman set her husband on fire? Imagine the levels of torture she must have suffered! Blessedly we are shown only fragments of Kiranjit's trauma. Director Mundhra makes sure they are enough to make us wince without making our stomachs churn. Cleverly but tenderly formatted as a thriller- in- flashback, Provoked opens with the burning figure of Deepak Ahluwalia (Naveen Andrews) running screaming out of his house.
Mundhra moves smoothly backwards into events leading to this gruesome incident. Female bonding has always been a favourite theme in his films (remember Shabana Azmi and Deepti Naval in Kamla?). In Provoked the bond that develops between Kiranjit and her cell mate Veronica (played by Vanessa Redgrave's daughter Miranda Richardson with supreme sunniness) is remarkably well-tuned to the sisters'-solidarity theme that forms the narrative's backbone.
Nandita Das is also in fine form as a spunky 'sister' activist holding up a torch for the torched husband's tortured wife. Every actor in the smallest role gets it right...and bright. Naveen Andrews's despicable brutality as the husband makes your skin crawl, as it's meant to.
But the film clearly belongs to Aishwarya. She gets a grip on her character Kiranjit's predicament with a fluid grace, her large swimming-pool eyes brimming over with untold grief as she pleads with her lawyers, 'Please let me see my children.'
Children, alas cannot see what Kiranjit goes through. Maybe they should though. Next time they see Mummy with that black eye they'd know she didn't walk into that door.
Cast: Aishwarya Rai, Naveen Andrews, Miranda Richardson, Robbie Coltrane, Nandita Das.
Written by: Carl Austen/Rahila Gupta
Cinematography: Madhu Ambat
Music: A.R. Rahman
Director: Jag Mundhra