Two
surprises...
-
One,
Kisaan
is
the
present-day
interpretation
of
Manoj
Kumar's
classic
Upkar.
With
changes,
of
course.
-
Two,
going
by
the
promos,
the
general
feeling
is
that
Kisaan
is
a
shining
example
of
regressive
cinema.
It
isn't!
With
multiplexes
spreading
far
and
wide
in
the
country,
movies
that
ruled
the
roost
in
the
1970s
-
especially
those
depicting
rural
India
-
have
disappeared
from
the
face
of
Hindi
movies.
One
of
the
prime
reasons
why
Upkar
worked
was
because
the
conflict
between
two
brothers
was
not
so
explored
then,
but
post
Upkar,
there
have
been
dozens
of
movies
that
highlighted
the
conflict.
Hence,
Kisaan
gives
you
the
feeling
of
dejÀ
vu
at
several
points
in
the
story.
But
despite
the
similarities,
Kisaan
works
in
most
parts
because
it's
engaging.
The
drama,
even
though
predictable,
is
well
handled
and
keeps
you
engrossed
at
several
points.
Final
word?
Try
out
this
desi
stuff.
Dayal
Singh
[Jackie
Shroff],
a
widower,
raises
two
very
different
sons;
Aman
[Arbaaz
Khan]
is
formally
schooled
to
become
a
city-based
lawyer,
while
Jigar
[Sohail
Khan],
through
lack
of
funds
and
inclination
towards
anything
other
than
farming,
is
kept
by
his
father's
side.
When
Sohan
Seth
[Dalip
Tahil],
a
shrewd
businessman,
convinces
many
beleaguered
farmers
to
sell
their
land
for
his
commercial
interests,
it
shatters
the
harmony
of
the
village
and
Dayal's
family
is
jeopardized.
Aman
and
Jigar
are
pitted
against
each
other.
The
ground
at
their
feet,
is
it
motherland
or
simply
property?
Surprisingly,
Kisaan
catches
your
attention
from
the
word
'Go'.
The
sequence
at
the
panchayat
[Sohail
Khan's
intro]
only
enhances
your
interest
in
the
film,
but
the
film
actually
takes
off
when
Arbaaz
starts
drifting
away.
At
the
same
time,
Kisaan
has
its
share
of
loose
ends.
Times
have
changed
and
the
writers
could've
updated
the
content
to
suit
the
current
times.
Also,
Arbaaz's
change
of
heart
towards
the
end
looks
like
a
complete
compromise,
from
the
writing
point
of
view.
Puneet
Sira
has
handled
many
a
dramatic
scene
well.
This
is
his
finest
work
thus
far.
Daboo
Malik's
music
is
of
a
mixed
variety.
A
couple
of
tunes
are
nice
-
'Humko
Kehna
Hai'
and
'Neechhe
Saari
Duniya
Hain'.
However,
the
visuals
in
the
remix
version
of
'Mere
Desh
Ki
Dharti'
look
out
of
sync.
The
makers
should've
maintained
the
desi
look.
Neelabh
Kaul's
cinematography
is
nice.
Action
scenes
[Mahendra
Verma]
are
rustic,
which
gel
well
with
the
mood
of
the
film.
Jackie
is
in
form
after
a
long,
long
time.
Arbaaz
doesn't
make
much
of
an
impact,
but
Sohail
does.
In
fact,
Sohail
is
only
getting
better
with
every
film.
Dia
enacts
her
part
well,
while
Nauheed
is
alright.
Dalip
Tahil
is
as
usual.
Sharat
Saxena
and
Vishwajeet
Pradhan
don't
get
much
scope.
Romeo
is
passable.
On
the
whole,
Kisaan
springs
a
pleasant
surprise.
At
the
box-office,
the
film
is
targeted
at
the
Hindi
belt
and
the
single
screens
specifically.
Also,
this
one
deserves
to
be
tax-exempted!