The Disciple Movie Review: Chaitanya Tamhane Keeps You Waiting For The Bass Drop That Never Comes
The Disciple is a Marathi film that follows an earnest classical music practitioner, and his arduous rites-of-passage journey filled with self-doubt and worries if he will ever achieve his aspiration of excellence
Available
On:
Netflix
Language:
Marathi
(English
&
Hindi
Subtitles)
Duration:
128
Minutes
Story:
The
Disciple
is
a
Marathi
language
film
that
follows
an
earnest
classical
music
practitioner,
his
arduous
rites-of-passage
journey
filled
with
self-doubt
and
his
worries
if
he
will
ever
achieve
his
aspiration
of
excellence.
Review:
Directed
by
Chaitanya
Tamhane,
The
Disciple
upon
a
first
viewing
never
gives
you
the
satisfaction
of
the
bass
drop
in
a
song.
Sharad
Nerulkar,
played
by
Aditya
Modak,
throughout
the
film
is
struggling
to
express
his
emotions
through
his
music,
something
that
should
come
to
him
naturally.
Similarly,
the
film
builds
up
for
the
mic
to
drop
and
the
audience
to
finally
enjoy
his
triumph,
but
it
never
happens.
However,
on
a
deeper
level,
the
film
speaks
about
the
unsung
heroes
who
work
hard
every
day
but
when
it's
time
to
get
their
dues,
they
are
handed
the
short
end
of
the
stick
by
fate.
The
Disciple,
unfortunately,
does
not
take
a
moment
to
explore
the
likeness
of
Sharad's
story
to
many
others
in
real
life.
Not
everyone
gets
to
be
the
best
of
the
best,
some
have
to
become
just
good
enough
to
push
through,
to
build
a
support
system,
to
be
the
audience.
The
Disciple
starts
with
a
lonely,
young
Sharad
Nerulkar
who
has
devoted
his
life
to
classical
music.
As
a
child,
he
was
heavily
influenced
by
his
father's
love
for
classical
music
and
his
thirst
for
greatness.
At
24,
every
time
Sharad
fails
to
shine
through,
he
feels
a
prick
of
self-doubt
that
lasts
through
the
years.
With
a
strict
teacher,
Sharad
never
falters
from
his
aim
to
become
a
famous
classical
musician,
despite
his
family
criticising
him
for
not
having
a
proper
job
or
getting
married.
Slowly,
as
years
go
by,
Sharad,
set
in
the
ways
of
his
gurus,
begins
to
notice
how
despite
moving
forward
in
life
he
has
been
left
behind.
During
all
the
years
of
his
learning,
he
was
told
to
follow
through
with
his
practice
and
the
music
will
come
to
him
one
day,
the
emotions
will
flow
out.
But
they
never
do.
At
the
age
of
36,
amid
a
public
performance,
Sharad
is
hard-hit
with
the
ever-standing
truth
-
there
is
no
more
time
left
for
him
to
struggle,
to
keep
waiting
for
the
music
to
shine
through
him.
While
the
story
shed's
light
on
the
hard
life
of
a
classical
musician
and
the
young
generation
that
knows
nothing
of
India's
rich
traditional
art,
it
fails
to
give
the
audience
a
chance
to
connect
with
the
characters.
The
film's
screenplay
breaks
from
scene
to
scene,
era
to
era
without
driving
the
audience
forward
with
it.
The
sloppy
camera
work,
long
pauses
and
awkward
dialogues
may
have
worked
for
the
indie
filmmakers
until
a
few
years
ago,
as
a
medium
to
bring
the
audience
to
the
character's
pace.
But
the
film
does
more
than
slow
down
the
audience
-
it
breeds
hope
that
there
is
more
to
offer.
However,
much
like
Sharad's
career,
The
Disciple
ends
abruptly,
wishing
you
too
moved
on
to
something
else.