As
the
debate
rages
on
about
the
regulations
imposed
by
the
government
on
the
OTT
(over-the-top)
platforms
in
the
digital
space,
the
fact
remains
that
the
medium
has
kept
alive
the
entertainment
industry
in
the
difficult
times
of
the
COVID-19
imposed
lockdown.
While
on
the
one
hand
there
is
content
on
OTT
platforms
that
is
too
gory
or
sexually
explicit,
there
are
also
some
never-seen-before
stories
being
told
in
the
form
of
OTT-only
web
series,
movies
and
anthologies.
Hollywood
filmmaker
Steven
Spielberg,
who
had
objected
to
Alfonso
Cuaron's
made-for-Netflix
film
Roma
(2018)
being
nominated
at
the
Academy
Awards
2019
and
going
on
to
win,
has
himself
now
collaborated
with
Netflix
for
a
multi-film
deal.
Such
is
the
changing
scenario
of
the
entertainment
industry
worldwide.
While
there
were
films
made
only
for
TV
channels
like
HBO
or
even
India's
Doordarshan
earlier,
films
made
exclusively
for
OTT
and
without
a
theatrical
release
is
a
fairly
recent
phenomenon
in
India
and
abroad.
Needless
to
say,
it
has
benefited
with
theatres
worldwide
closing
in
the
pandemic
in
2020-21.
Anant
Roongta,
Managing
Director,
Famous
Studios,
Mumbai
and
the
grandson
of
JB
Roongta,
shares
his
opinion
with
Filmibeat
on
how
OTT
has
reshaped
the
perception
of
filmmakers
and
film
studios.
"For
the
past
few
years,
OTT
has
been
at
the
forefront
of
the
changing
content
landscape
available
online
-
from
shows
that
dive
deep
into
showcasing
unrestricted
versions
of
the
script
to
stories
that
baffle
the
audiences
across
ages.
For
instance,
web
series
like
Sacred
Games
quickly
became
popular
with
the
Indian
audience
for
the
intensity
of
the
story
and
the
immersive
experience
it
provided.
This
largely
paved
the
way
for
the
future
of
OTT.
Moreover,
brands
could
leverage
the
platform
in
a
better
way,"
he
says.
"I
feel
2020
should
be
classified
as
the
year
where
OTT
platforms
evolved
for
the
better.
The
lockdown
and
high
Internet
consumption
drove
OTT
platforms
to
newer
heights.
Branded
content
took
centrestage
with
platforms
like
TVF,
FilterCopy,
etc.,
while
Netflix,
Disney
Plus
Hotstar
and
Amazon
Prime
Video
painted
the
content
landscape
with
diversity
and
appealing
storylines.
With
OTT
content
becoming
mainstream
and
audiences
shifting
their
viewing
habits,
Hotstar
changed
the
game
with
OTT
film
releases
that
in
turn
showcased
the
unexplored
potential
of
the
streaming
platform," he
adds.
"Today,
OTT
giants
are
leaving
no
stones
unturned
when
it
comes
to
original
content
creation
and
new
releases.
From
Netflix
to
Hotstar
to
Zee5,
all
platforms
are
working
towards
creating
films
bearing
the
OTT
audience
in
mind,"
Roongta
concludes.
Earlier,
in
an
exclusive
video
interview
to
Filmibeat,
filmmaker
Ram
Gopal
Varma
had
shared
a
positive
opinion
on
the
OTT
space.
RGV
said,
"The
OTT
is
definitely
here
to
stay
because,
it
gives
more
freedom
to
filmmakers.
And
also,
it
cuts
the
costs
of
publicity,
which
for
a
theatrical
release
is
very
expensive.
So
much
money
is
put
in
there.
Also,
when
you're
watching
in
a
theatre
in
a
group,
as
compared
to
when
you're
watching
alone
or
one-to-one
probably
in
your
living
room,
the
mindset
with
which
you're
watching
content
will
drastically
change.
For
example,
for
Salman
Khan,
in
the
theatre
you
might
whistle
or
clap
or
throw
coins,
but
I
don't
think
one
will
do
that
in
the
living
room.
So,
there
is
a
marked
change
in
how
you
view
content.
Highly
content-oriented
with
much
more
drama
will
work
more
on
OTT,
while
theatres
will
be
more
about
spectacle,
large
action
films
or
CGF
(computer
graphics)
and
things
like
that."
Meanwhile,
Bollywood
actor-filmmaker
Ajay
Devgn
also
recently
shared
his
opinion
on
the
government
rules
and
guidelines
for
OTT
platforms.
"It
is
an
area
of
concern
to
a
point.
It
needs
to
be
regulated
but
we
should
not
start
going
backwards.
Regulations
should
be
right.
The
fear
isn't
that
it's
getting
regulated.
The
fear
is
what
the
regulations
are,"
the
Bhuj:
The
Pride
of
India
actor
said.