By:
Joginder
Tuteja,
IndiaFM
Thursday,
May
18,
2006
Around
a
decade
back,
there
was
a
new
wave
that
hit
Hindi
cinema
screens
-
English
and
South
Indian
movies
being
dubbed
in
Hindi
and
released
across
Hindi
belt.
As
the
quality
of
such
films
deteriorated,
the
number
of
such
films
too
became
lesser
with
every
passing
year
with
hardly
any
such
notable
release
in
last
few
years.
Aparichit
may
just
about
revive
the
trend
when
it
releases
in
a
few
days
from
now.
A
dubbed
version
of
Tamil
superhit
Anniyan
that
released
down
South
last
year,
Aparichit
is
an
action/social/drama/thriller
about
a
man
[Vikram]
who
plays
the
character
of
a
man
with
MPD
[Multiple
Personality
Disorder].
Sada
is
his
female
interest
while
Shankar,
who
has
numerous
superhits
to
his
credit
like
Gentleman,
Humse
Hai
Muqabla,
Hindustani
and
Nayak
to
name
a
few,
is
the
film's
director.
Harris
Jayaraj,
who
was
last
heard
ages
back
for
his
superhit
soundtrack
of
Rehnaa
Hai
Terre
Dil
Mein,
is
the
composer
for
Aparichit
while
Mehboob
writes.
One
of
the
characters
played
by
Vikram
is
a
rockstar
called
'REMO'
and
that's
the
title
of
the
song
that
marks
the
album's
beginning.
Sung
by
Nakul
and
GV
Prakash,
'Remo'
is
a
cracker
of
a
number
as
a
kick
start!
With
lavish
picturization,
innovative
sets,
western
musical
arrangement
and
some
eye
candy
dance
moves
to
boast
of,
'Remo'
is
the
song
of,
for
and
from
the
lead
character
of
the
film
who
loves
to
sing
and
dance
about
himself.
And
which
man
won't
really
do
that
if
he
has
someone
as
gorgeous
and
stunning
as
Yana
Gupta
in
his
arms
throughout
the
song's
run!?
A
superbly
arranged
number
that
takes
various
twists
and
turns
throughout
by
picking
up
pace
and
slowing
down
alternatively,
'Remo'
is
a
number
for
fast
driving
cars
and
campus
crowds!
'Kumari'
has
a
South
Indian
classical
beginning
to
it
and
as
the
song
progresses
one
realizes
that
the
song
continues
in
the
same
vein.
The
song
won't
really
go
down
well
with
the
Hindi
belt
audience
at
which
the
dubbed
version
is
targeted
at
and
may
only
work
with
a
miniscule
audience
who
have
a
taste
of
such
music
that
has
strong
South
Indian
flavor.
Sung
by
Unni
Krishnan
and
Harini,
the
song
does
come
easy
on
ears
but
the
overall
flavor
[that
includes
music,
lyrics
and
the
vocals]
remains
so
rooted
to
its
original
version
that
it
turns
out
to
be
miles
apart
from
what
an
audience
of
today
is
listening
to!
When
you
read
Leslie
Lewis
and
Vasundhara
Das
on
the
credits,
you
have
all
the
reasons
to
believe
that
it's
going
to
be
a
rocking
outing
yet
again
after
'Remo'.
That's
indeed
the
case
as
'Gora
Gora'
begins
that
gets
to
the
point
right
away
and
is
high
on
energy
throughout
its
duration.
With
great
picturiztion
once
again,
it
is
a
number
based
on
western
music
that
has
a
rocking
feel
to
it
and
promises
to
engage
you
while
it
is
on
the
screen.
Lavish
picturization
and
some
special
effects
ensure
that
'Gora
Gora'
doesn't
allow
you
to
look
the
other
way!
Album
moves
alternatively
from
being
Western
['Remo',
'Gora
Gora']
to
hardcore
South
Indian
classical
[Kumari]
as
'Iyengar
Ghar
Ki'
comes
next.
With
an
extended
chorus
coming
into
play,
it's
a
matter
of
around
a
minute
before
Hariharan
starts
crooning
the
number
along
with
Harini.
A
love
song,
it
is
a
song
that
would
hardly
be
identifiable
by
the
North
belt.
Though
the
makers
may
have
all
the
right
intentions
to
present
the
number
to
all-India
audience,
chances
are
bleak
that
the
song
would
be
a
good
enough
reason
for
a
listener
to
lap
up
the
album.
The
song
belongs
to
the
fast-forward
variety
and
one
wonders
if
its
inclusion
may
turn
out
to
be
a
speed
breaker
in
the
film's
narrative!
A
song
that
has
a
distinct
Shankar
feel
to
it,
whether
in
terms
of
composition
or
the
picturization,
'Chori
Hai'
is
a
kind
of
song
that
the
director
specializes
in.
100
odd
background
dancers,
a
village
folk
feel,
colorful
clothing,
synchronized
dance
steps,
paddy
fields
and
some
innovative
sets/set-up
[this
time
painted
trucks,
rocks
with
images
of
filmstars
etc.]
-
now
that's
what
makes
'Chori
Hai'
a
fairly
enjoyable
number
that
may
keep
the
pace
going
for
the
album.
Apparently
lakhs
have
been
spent
on
creation
of
this
single
number
and
though
the
song
may
not
be
remembered
by
audience
once
they
come
out
of
the
theatres,
singers
Kay
Kay
and
Shreya
Ghoshal
[who
sings
in
a
distinct
husky
voice]
do
their
bit
to
make
the
song
work
to
an
extent.
Best
part
of
the
enterprise
comes
at
the
album's
end
in
the
form
of
theme
track
'Stranger
in
Black'.
Haunting
to
the
core,
it
has
an
enigmatic
appeal
to
it
and
if
it
is
indeed
original,
then
it
should
be
a
worthy
answer
to
the
rest
of
the
world
as
far
as
coming
up
with
an
innovative
tune
is
concerned.
A
great
piece
of
orchestra
complimented
by
Sunitha
Sarathy's
vocals,
'Stranger
in
Black'
is
simply
superb
as
it
goes
through
different
moods
and
fits
in
quite
well
as
a
part
of
the
film's
overall
feel
and
narrative.
'Remo'
and
'Gora
Gora'
are
primarily
the
two
songs
that
remain
with
you
with
remaining
just
passing
muster.
Anyways,
'Aparichit'
is
a
movie
that
is
being
released
in
Hindi
as
a
thriller
rather
than
a
musical;
hence
it
is
quite
obvious
that
music
is
certainly
not
the
USP
or
the
prime
publicity
mechanism
of
the
film.
Harris
Jayaraj's
score
is
primarily
targeted
for
South
audience
and
hence
expecting
another
RHTDM
would
make
matters
too
far
fetched.
Enjoy
'Remo'
and
'Gora
Gora'
for
a
couple
of
weeks
to
come
and
forget
about
the
rest.