Among
films
with
routine
genre,
Katrathu
Tamil
is
a
movie
with
different
storyline.
In
fact
many
in
their
mid
thirties
and
forties
face
the
same
problem
-
financial
instability.
But
what
makes
the
film
good
is
the
way
the
director
tells
the
story
and
portrays
the
characters
in
the
movie.
In
the
late
80's,
English
medium
education
was
accessible
only
for
the
urban
upper
middle
class
people.
Rural
people
were
studying
and
are
still
studying
only
in
Tamil
Medium
schools
which
don't
even
have
the
required
facilities.
In
this
state
of
affairs,
a
young
man
with
the
knowledge
of
Tamil
will
be
able
to
earn
only
few
thousands
of
rupees.
But
a
man
with
knowledge
of
English
and
computer
skills
will
earn
more
than
2
lakhs
per
month.
This
financial
insecurity
causes
frustration
and
mental
agony
in
the
minds
of
young
people
who
are
affected
by
this
phenomenon.
There
has
been
no
effective
solution
to
this
phenomena
–
not
even
the
movie.
Prabhakar
(Jeeva)
is
a
Tamil
teacher
in
a
private
school
in
Chennai,
who
leads
a
lonely
life
in
a
dungeon
lodge.
He
is
frustrated
and
even
tries
to
commit
suicide,
in
a
system
where
knowing
your
mother
tongue
and
teaching
it
is
looked
down
upon
by
a
society
which
craves
for
material
benefits
which
results
in
financial
in
security
for
many.10
years
ago,
the
people
who
were
getting
Rs
2000
and
Rs
20000
respectively
don't
earn
proportionately
increased
salaries.
The
people
who
earned
Rs.
20,000
then
earn
at
least
2
lakhs
now.
But
the
people
who
were
earning
Rs.
2000
still
earn
Rs.
2000
only
and
struggle
to
fulfill
their
basic
needs.
These
frustrations
and
circumstances
make
Prabhakar
mad
as
a
result
of
which
he
kills
nearly
23
people
all
in
different
situations
ranging
from
a
railway
booking
clerk
to
a
customer
of
prostitute
house.
Finally
he
finds
a
private
channel
cameraman
(Karunas)
and
confesses
to
him
his
killing
spree.
In
the
flashback,
he
unfolds
his
painful
at
times
beautiful-past
and
the
reasons
for
his
passion
for
the
Tamil
language
The
unnecessary
murders
and
his
pointless
arguments
about
the
ineffectiveness
of
the
system
take
the
viewers
away
from
the
intended
focus
of
the
film.
Contrary
of
the
script
of
the
movie,
a
guy
with
upper
hand
in
Tamil
can
find
more
openings
than
a
computer/software
engineer.
Learning
Tamil
allows
a
person
to
learn
a
lot
more,
be
more
mature
and
lead
a
cultures
life.
A
Tamil
teacher
gets
good
–
infact
gets
better
treatment
than
other
teachers.
If
the
director
kept
these
reality
checks
in
mind,
the
film
could
have
been
a
indeed
unique
film
in
Tamil
Cinemas
75
year
old
history.
Jeeva
acts
exceptionally
well
playing
the
role
of
a
psychopath
in
the
film.
His
most
impressive
scene
is
the
one
in
which
he
confronts
a
call
centre
employee
and
vents
his
frustration
with
the
system
on
him.
But
the
very
same
scene
shows
how
the
call
centre
employee
gets
jealous
of
Jeeva.
Despite
such
strong
performances,
the
script
lets
the
film
down
big
time.
And
the
make
up
department
should
have
taken
care
to
see
that
Jeeva
didn't
look
like
he
was
indeed
wearing
make
up.
One
could
easily
make
out
that
his
beard
was
an
artificial
one.
Anjali
too
performs
excellently
well
in
the
film.
Her
girl-next-door
image
helps
viewers
to
connect
with
the
movie.
Azhgam
Perumal's
cameo
too
has
got
the
attention
off
viewers.
Yuvan
Shankar
Raja's
music
is
very
good
too
–
especially
the
song
sung
by
his
father
Ilayaraja.
'Paravaye
yen
ingu
irukkirai'
is
so
soothing
that
your
heart
melts
when
you
listen
to
it.
Ilayaraja's
soothing
voice
takes
the
song
to
a
whole
new
other
level.
Kadhir's
gritty
camera
which
travels
all
over
the
country
is
another
plus
point.
One
couldn't
find
any
fault
in
Raam's
aim,
but
the
way
he
narrates
the
story
is
not
as
impressive.
In
some
scenes
we
could
experiences
the
rich
taste
of
cinema
but
in
most
of
the
scenes
the
purpose
of
the
film
is
looking
aimless.
Verdict:
Good,
partly!
Credits:
Cast:
Jeeva,
Anjali,
Azhgam
Perumal,
Karunaas
Music:
Yuvan
Shankar
Raaja
Written
and
Directed
by:
Raam
Producer:
M.R.Films