Story
When
financial
woes
come
knocking
at
Hemant
(Saurabh
Goyal)
and
his
eight-months
pregnant
wife
Sakshi
(Nushrrat
Bharrucha)'s
door,
the
couple
is
forced
to
flee
from
the
city
for
a
few
days.
That's
when
their
faithful
driver
Kajla
(Rajesh
Jias)
comes
to
their
rescue
and
offers
to
give
them
refuge
at
his
house
which
is
situated
at
the
centre
of
an
enormous
sugarcane
plantation
faraway
from
the
city.
There,
Kajla's
wife
Bhanno
Devi
(Mita
Vashisht)
agrees
to
take
care
of
Sakshi.
However
unknown
to
Sakshi
and
Hemant,
there
are
some
paranormal
forces
lurking
around
the
house
and
the
fields.
Soon,
Sakshi
encounters
three
kids
who
are
always
running
around
the
place
with
a
woman
clad
in
a
red
sari
playing
hide-and-seek
with
them.
To
add
more
to
it,
a
mysterious
radio
with
a
lullaby
playing
on
it
appears
and
disappears
frequently
which
causes
Sakshi
to
think
that
there's
more
to
the
place
than
meets
the
eye.
Direction
Vishal
Furia
makes
his
directorial
debut
in
Bollywood
with
Nushrratt
Bharuccha's
Chhorii.
It
turns
out
to
be
a
safe
bet
for
him
as
it's
a
faithful
remake
of
his
2016
film
Lapachhapi
which
starred
Pooja
Sawant
as
the
main
protagonist.
While
he
shifts
the
landscape
of
his
story
from
Maharashtra
to
Madhya
Pradesh
for
a
pan
India
appeal,
the
context
of
the
story-telling
remains
the
same.
This
works
both
for
and
against
Furia.
Speaking
about
the
positives,
Furia
has
a
tight
grip
over
the
subject
and
stays
away
from
the
typical
horror clichés
to
invoke
a
sense
of
fear.
He
relies
more
on
the
atmospheric
horror
rather
than
jump
scares
which
works
in
his
favour.
The
filmmaker
doesn't
rely
much
on
special
effects
and
opts
for
a
more
fluid
story-telling.
Now
coming
to
the
part
where
Chhorii
breaks
your
heart
a
bit,
Vishal
prefers
to
take
a
safe
route
and
hesitates
to
tweak
the
weaker
portions
of
Lapachhapi
in
his
Hindi
version.
Those
who
have
watched
the
Pooja
Sawant-starrer
seldom
get
a
moment
where
they
are
struck
by
surprise.
While
the
original
film
had
a
runtime
of
around
1
hour
and
53
minutes,
Chhorii
runs
a
little
longer
which
is
why
some
of
the
scenes
appear
repetitive.
Performances
In
one
of
his
interviews,
Vishal
had
explained
his
reason
behind
casting
Nushhratt
and
said
that
he
wanted
his
protagonist
to
be
a
girl
who
could
be
intimidated
in
a
certain
way
or
get
scared
in
certain
scenarios.
Well,
Nushrratt
ticks
all
his
boxes.
From
playing
an
insecure
girlfriend
and
a
gold-digger
in
her
previous
flicks,
the
actress
easily
slips
into
the
role
of
a
to-be
mother
who
finds
herself
pitted
against
the
evil
(both
figuratively
and
metaphorically).
The
portions
where
her
character
transforms
into
her
wary
self
has
been
well
performed.
Mita
Vashisht
gives
you
the
creeps
as
the
peculiar
Bhanno
Devi
whose
actions
don't
match
her
words.
On
the
flip
side,
her
accent
talk
takes
time
to
settle
in.
Saurabh
Goyal
and
the
rest
of
the
cast
perform
as
per
what's
written
for
them.
In
a
nutshell,
Chhorii
lies
on
the
shoulders
of
the
two
chhoris
of
the
film-
Nushrratt
Bharuccha
and
Mita
Vashisht
and
they
carry
it
quite
well
to
the
finishing
line
despite
some
bumps
in
their
way.
Technical
Aspects
Anshul
Chobey
does
wonders
with
his
camera
and
whips
up
some
intriguing
visuals
with
his
technical
finesse.
Unnikrishnan
Payoor
Parameswaran's
butterfingers
at
the
editing
table
leaves
you
a
tad
dismayed.
Music
Vishal
Furia
steers
clear
of
inserting
unnecessary
songs
and
instead
lets
the
ominous
background
score
by
Ketan
Sodha
do
all
the
talking.
Verdict
Nushrratt
Bharuccha's
Chhorii
is
like
a
maze
where
despite
some
dead
ends,
you
still
reach
the
destination
with
a
strong
social
message.