How
was
it
adapting
a
character
like
Sehmat?
For
me,
it
was
a
very
big
opportunity
to
portray
something
like
this.
When
you
are
part
of
a
true
story,
you
automatically
feel
the
sense
of
responsibility,
even
we
have
never
ever
seen
the
real
life
Sehmat
ever.
Having
said
that,
it
was
also
a
great
opportunity
for
me
to
create
this
character
from
scratch.
Even
though
it
was
mentioned
in
the
script,
how
she
was
going
to
be.
But
once
you
crack
the
way
this
girl
spoke,
everything
else
is
done
for
you.
Because
the
way
you
speak
is
the
very
much
a
depiction
of
your
personality.
What's
your
take-away
from
the
film,
or
from
the
character?
Not
take-away,
but
I
learned
that
what
we
think
about
patriotism
is
quite
opposite
to
what
actually
is
true
patriotism.
Saying
I
love
my
country
is
not
enough,
you
have
to
do
things
for
your
country,
you
have
to
participate,
add
value.
That's
what
I
learned
from
Sehmat
and
this
journey.
How
it
was
working
with
Vicky
Kaushal?
It
was
great.
He
is
fabulous.
Ever
since
I
saw
Masaan,
I
was
like,
he
is
someone
I
have
to
work
with
because
I
can
learn
so
much
from
him.
He
is
very
much
essential
in
the
film.
His
character
is
very
silent,
but
his
silence
says
a
lot.
And
Sehmat
is
quite
nervous
about
her
connection
with
Iqbal.
I
think
I
would
not
able
to
protray
the
character
of
Sehmat,
if
Iqbal
was
being
played
by
such
a
strong
actor.
You
are
doing
back-to-back
films
that
are
very
different..
Raazi,
Kalank,
Brahmastra
and
Gully
Boy.
How
you
are
managing
simultaneously?
I
am
just
doing
it.
After
the
film
releases,
I
will
know-
Maine
Kya
Khichdi
Pakaya
hai
(LAUGHS)..
I
finished
Gully
Boy
now.
So
now
it's
just
between
Kalank
and
Brahmastra.
I
think
that's
where
your
directors
matter
a
lot.
And
luckily
these
two
films
are
very
different
from
each
other.
Kalank
is
an
epic
drama
whereas
Brahmastra
is
like
a
super
natural
fantasy.
Were
you
nervous
shooting
with
your
Mom
in
Raazi?
I
was
nervous.
But
I
was
not
nervous
about
what
she
will
think
of
me,
but
I
was
more
nervous
for
her
(laughs).
Like
what
if
she
does
not
perform
well.
But
as
soon
as
we
started
shooting
I
realised
that
she
is
way
ahead
of
me;
in
her
personal
attitude
and
language
and
everything.
You
think
your
stardom
helped
to
get
Raazi
a
solo
release
date?
I
don't
know.
I
just
think
we
got
lucky
with
the
dates.
Because
Raazi
is
not
a
film
which
requires
a
Eid
release
or
a
Diwali
release.
It's
a
smaller
film,
so
it
requires
a
good
time
period,
like
one
week
or
so.
But
I
believe
that
a
good
film
will
always
do
well,
no
matter
on
what
date
it
releases.
For
Raazi
I
am
happy
that
no
other
films
are
releasing
but
there
is
Avengers
(laughs).
Do
you
think
nowadays,
the
word
nationalism
is
being
used
as
a
weapon
or
a
threat?
I
don't
think
we
should
talk
much
about
what
is
wrong,
talk
about
how
it
can
be
solved.
For
example,
when
recently
I
went
with
Aamir
for
Paani
foundation,
I
realised
what
he
is
doing
is
imparting
knowledge
to
the
people
of
our
country,
to
villagers,
to
the
farmers
who
need
it,
who
can
use
it
for
their
livelihood
and
solve
the
problem
of
draught
in
Maharashtra.
For
me
that
is
what
we
call
real
patriotism,
for
me
that
is
being
someone
who
love
the
country
and
wants
to
bring
a
change.
How
it
was
working
with
Meghna
Gulzar?
It
was
great
actually.
I
loved
her
movies.
Especially
her
last
film
Talwar
really
left
a
big
impact
on
me.
In
my
opinion
she
is
one
of
the
most
detailed
directors
I
have
worked
with,
who
gives
attention
to
every
detail
and
so
her
world
seems
very
real.
I
feel
so
good
that
I
have
worked
with
Meghna
in
such
an
sensitive
and
extensive
story
(Raazi).
Are
you
content
with
your
career
graph?
Contentment
is
very
boring.
I
like
to
be
satisfied
taking
a
task
and
complete
it.
I
just
want
to
be
hard-working
and
relentless.
Does
box
office
numbers
affects
you?
I
don't
even
think
about
box
office.
I
just
it
does
certain
amount
that
producers
are
happy.
But
having
said
that
a
good
film
will
always
do
well,
and
here
'well' means
the
kind
of
love
you
get
for
your
movie.
Highway
is
my
least
grossing
film,
but
the
value
it
has
otherwise
has
been
far
better
than
any
other
film.
Do
you
think,
it's
time
when
the
barrier
between
unconventional
cinema
and
mainstream
cinema
is
blurring?
I
think
it's
a
good
time
for
cinema
right
now
that
content
became
a
king.
If
you
have
all
the
superstars,
songs
and
locations,
but
if
content
is
weak
the
film
will
not
do
well.
At
the
same
time,
I
think
one
can
do
good
commercial
film
as
well
with
strong
content.
For
example
movies
like
Bajrangi
Bhaijaan,
Queen,
Dangal,
Tanu
Weds
Manu.
It's
just
about
finding
that
film.
Are
you
looking
forward
to
do
a
full
on
comedy
film?
Ya,
I
want
to
do
a
comedy
film,
but
no
one
approach
me
for
a
comedy
film.
They
think
I
like
to
cry.
Are
we
going
to
see
your
cameo
in
Student
Of
The
Year
2?
(Laughs)
This
you
have
to
ask
Karan
Johar.
But
yes,
I
am
very
happy
for
this
sequel.
Karan
is
launching
two
new
girls
Ananya
and
Tara,
both
of
them
are
super
bright.